Milas

Yue Qiantong 138万字 464954人读过连载

《Milas》

For a senior official or a concubine of a noble family, the king should make a large coffin; if he gives a gift to the concubine, he should make a small coffin. For a concubine of a noble family, the king should come after the funeral. For a scholar, he should go after the funeral; if he gives a gift to the concubine, he should make a large coffin. For a concubine of a noble family, the lady should make a large coffin; if he gives a gift to the concubine, she should make a small coffin. For all wives, she should make a gift to the concubine and make a large coffin. For a concubine of a senior official or scholar, the king should go after the funeral. When a senior official or scholar is buried, the king should send someone to warn him, and the host should prepare a solemn offering and wait outside the gate. When he sees the horse's head, he should enter the right first. The witch should stop outside the gate. The king should take over first, and the king should place food inside the gate. The witch should ascend the steps of the east first, and face south with his back to the wall. The king should ascend the throne of the east. Two junior officials should stand in front with spears, and two should stand behind. When the emissary enters, the host bows and kowtows. When the king says his words, he looks at the prayer and dances, and the host dances. The great official may offer the sacrifice. The scholar shall wait outside the door, and when ordered to offer the sacrifice, he shall do so. After the sacrifice, the host shall wait outside the door first, and the king shall leave, and the host shall see him off outside the door, bowing and kowtows. When the king asks about the illness of the great official three times, and if he is in the funeral, he shall go there three times; when the scholar is ill, he shall ask once, and if he is in the funeral, he shall go there once. When the king offers condolences, he shall put on the funeral clothes. When the lady offers condolences to the great official or scholar, the host shall meet her outside the door, see the horse's head, and enter the door to the right first. The lady enters, ascends the hall and takes the throne. The mistress descends from the west steps, bows and kowtows below. The lady looks at the crown prince and dances. Offering the sacrifice is the same as when the king arrives. When the lady leaves, the mistress sees her off inside the door, bows and kowtows; the host sees her off outside the gate without bowing. The great official and the king shall not meet him outside the door. Enter and take the throne at the bottom of the hall. The host faces north, and the other hosts face south; the woman takes the seat in the room. If there is a king's order, the husband and the wife shall follow the order, and the neighbors and guests, the king should bow after the host. When the king mourns, he should see the coffin and then dance. If the ministers and scholars go without the king's warning, they should not prepare a solemn offering; the king must offer an offering after he leaves.

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

When Dai Yuan was young, he was a knight-errant who did not discipline himself and often attacked and robbed merchants between the Yangtze River and the Huai River. When Lu Ji returned to Luoyang for vacation, he had a huge baggage train. Yuan sent the young men to plunder. Yuan was on the shore, sitting on a Hu couch, directing his men and women, and they all did their job appropriately. Yuan was a man of great talent and intelligence. Although he was in a humble position, his spirit was still extraordinary. Ji said to him from afar on the boat, "You are so talented, but you still want to cause trouble?" Yuan burst into tears, threw his sword back to Ji, and spoke harshly to him. Ji valued him more and made him his friend, and wrote a letter to recommend him. After crossing the river, he was promoted to General Zhengxi.

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