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After Yin Zhongjun was deposed from Dongyang, he began to read Buddhist scriptures. When I first read Vimalakirti, I suspected that there was too much Prajnaparamita. Later, when I read the short piece, I hated that there were so few words.
When holding the main utensils, one should hold them lightly as if he cannot hold them. When holding the main utensils, such as coins, jade tablets, and jade discs, one should use the left hand, and walk without lifting the foot, and the wheels of the wheels should drag the heels. When standing, the chime should be broken and the pendant should be dangling. If the master's pendant is leaning, the minister's pendant should be dangling. If the master's pendant is dangling, the minister's pendant should be dangling. When holding jade, those with a pendant should wear a sling; those without a pendant should wear a sling.
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
Yin Zhongjun said to Han Taichang: "Kang Bo has always been a proud figure since he was young, but he is actually a leader among his peers. When he speaks, his words are often full of emotion."
When Yin Yun left for the west, Xi Chao wrote to Yuan Hu: "Zi Si seeks good friends, so please entrust your kindness to me, and do not seek them with Kaimei." Yuan was known as "Kaimei" in the world, so Zi Jing wrote in his poem: "Yuan was born with Kaimei."
Someone asked General Yin Zhongjun: "Why does a general who is about to get a position dream of coffins and utensils, and a general who is about to get wealth dream of feces and dirt?" Yin said: "Officials are originally rotten and smelly, so a general who is about to get a position dreams of coffins and corpses; wealth is originally feces and dirt, so a general who is about to get a position dreams of dirt and dirt." People at that time thought that his name was untrue.
After Confucius was buried in Fang, he said: "I have heard that in ancient times, there were tombs but no graves; now there are mounds, and people from all directions can be recognized." So he sealed it and made it four feet high.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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