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Super Bodyguard

Zhi Daolin, Xu Yuan and others were all at Wangzhai in Kuaiji. Zhi is the master and Xu is the lecturer. The meaning of this passage is the same, and everyone in the audience is disgusted. When Xu sent a difficult question, everyone danced with joy. But we all admire the beauty of the two schools of thought without arguing about their logic.

Resurrection of spiritual energy from the end of the world

The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.

Back to ten years ago

In the funeral of parents, one lives in a hut and does not lay on the ground, sleeps on straw and pillows, and does not talk about anything other than funeral matters. The king builds a hut for the deceased, and the officials and scholars cover it. After the burial, the pillars and lintels are covered, and the hut is not for the prominent. The king, the officials, and the scholars all have their corpses. For those who are not the proper sons, a hut is built for the secluded from before the burial. After the burial, stand with people: the king talks about the king's affairs, not the affairs of the state; the great officials and scholars talk about the public affairs, not the affairs of the family. After the king is buried, the king's government returns to the country, and after the mourning is over, they will wear the king's affairs; after the great officials and scholars are buried, the public government returns to the family, and after the mourning is over, they will wear the hat and the belt, and there will be no avoidance of the affairs of the armor. After the mourning, live in the whitewashed room, do not live with others. The king discusses the affairs of the state, and the great officials and scholars discuss the affairs of the family. After the auspicious, the whitewashed. When the auspicious is good, there will be no crying outside; when the mourning is over, there will be no crying inside, because the music has been played. After the mourning, follow the emperor, and after the auspicious sacrifice, go back to bed.

Slowly

Feng Shengling

Yuzhang prefect Gu Shao was Yong’s son. When Shao died in the county, Yong Sheng gathered his subordinates and played Go by himself. A letter from outside arrived, but there was no letter from the child. Although his expression remained unchanged, he understood the reason. He pinched his palm with his claws and blood stained the mattress. After the guests had left, Fang sighed and said, "I am no longer as high as Yanling, so how can I be held responsible for losing my sight?" Then he let go of his sorrow and looked calm.

The Music Maker

When entering the dance, the king holds the dry and the halberd and takes the dance position. The king is on the east side, wearing a crown and holding the dry, and leads his ministers to enjoy the emperor's corpse. Therefore, when the emperor sacrifices, he enjoys it with the world; when the princes sacrifice, he enjoys it with the whole country. The emperor wore a crown and held the pillars of heaven, and led his ministers to entertain the emperor's corpse. This is the meaning of the inner music. There are three levels of sacrifice: among the offerings, nothing is more important than being naked, nothing is more important than singing, and nothing is more important than "Wu Su Ye". This is the way of Zhou. All three ways are used to borrow from the outside to increase the ambition of the gentleman, so they advance and retreat with the ambition; if the ambition is light, it is also light, and if the ambition is heavy, it is also heavy. If one's ambition is light and seeks external weight, even a sage cannot obtain it. Therefore, when a gentleman offers sacrifice, he must sacrifice himself, so as to make it clear that it is heavy. He should follow the etiquette, worship the three levels, and offer it to the emperor's corpse. This is the way of the sage. There is a 馂 in sacrifice; 馂 is the end of the sacrifice, which must be known. Therefore, the ancients said: "A good end is like the beginning." 馂 is just that. Therefore, the ancient gentlemen said: "The corpse is also the remnant of the ghosts and gods, and it is a benevolent method, which can be used to observe politics." Therefore, when the corpse is made, the king and the ministers are made to make it. When the king stands up, the senior officials are made to make it. The ministers are made to make it. The remnants of the king. The senior officials are made to make it. Eight scholars are made to make it. The lower officials are made to make it. The remnants of the nobles. The scholars are made to stand up, each holding their own utensils and go out, and they are laid out under the hall. The officials come in and clear them, and the lower officials are made to make it. The lower officials are made to make it. The way of making it is to change the number of people, so as to distinguish the noble and the humble, and to promote the image of benevolence. Therefore, four 簋黋 of millet are used to show that it is being cultivated in the temple. The temple is a symbol of the inner court. The sacrifice is the greatest benefit. Therefore, if there is a great benefit in the upper part, the benefit will surely reach the lower part, but the upper part will be the first and the lower part will be the last. It is not that the upper part is overburdened and the lower part is cold and hungry. Therefore, if there is a great marsh above, the people will wait for it below, knowing that the benefit will surely come, and they can see it from the taro. Therefore, it is said: "You can observe the politics."