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Duan Yiping 259万字 737400人读过连载

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Wang Dao and Wen Qiao both met Emperor Ming, and the emperor asked Wen how he had gained the empire in his previous life. Wen did not answer. After a while, the king said, "Wen Qiao is young and inexperienced, so I will explain it to Your Majesty." The king then narrated in detail how King Xuan started his career, executed the barbarians and famous tribes, and favored those who were like him. At the end of King Wen's reign, Gaogui was in charge of public affairs. When Emperor Ming heard this, he fell to the bed and said, "If what you said is true, how can my reign last long?"

The so-called self-cultivation is to rectify one's heart. If one is angry, one cannot be rectified; if one is afraid, one cannot be rectified; if one is happy, one cannot be rectified; if one is worried, one cannot be rectified. If one's heart is not there, one will not see, hear, or taste. This is called self-cultivation is to rectify one's heart.

Xi Chao dealt with Fu Yuan, and Yuan saw that his two sons had their hair tied together. Chao observed it for a long time and said to Yuan, "The younger one is more talented and famous, but the one who can protect your family will ultimately depend on your brother." These are Fu Liang's brothers.

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I accidentally got depended on by Mr. Fu

Bilu Xiaojiang

Deng Ai stuttered and called himself "Ai Ai". King Wen of Jin teased him and said, "You say 'Ai Ai', how many Ai are you talking about?" He replied, "Phoenix, Phoenix, so it is one Phoenix."

Luo Mi

Huangfu Junfeng

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

Meet a single couple

Yuwei

General Wang wrote to the Prime Minister, praising Yang Lang: "Shiyan is a man of insight and reason, with hidden talents and wise decisions. He is not only a national talent, but also the son of Yang Houhuai. His position and prestige are quite low, but you are worthy of being associated with him."

Phoenix Strategy and Power

Wusun Aihong

When Dai Andao was over ten years old, he painted in Wuguang Temple. When Wang Changshi saw him, he said, "This boy is not only good at painting, but will eventually become famous. I regret that I am old and will not see his prime!"

I'll kill you in a minute.

Nala Weijie

Wang Yifu said: "Lüqiu Chong is better than Man Fen and Hao Long. These three are all highly talented, but Chong is the first to succeed."

Fat Girl Turns Over

Man Hanyue

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

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