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Sikong Gu He was having a conversation with the wise men of the time. Zhang Xuanzhi and Gu Fu, the grandson of the middle-aged man and the grandson of the great-grandson, both seven years old, were playing beside the bed. When he heard the words, his expression seemed to be irrelevant. Sleeping under the lamp, the two children narrated the host's words, without missing anything. Gu Gong crossed the table and lifted his ear, saying: "I never thought that a declining clan would revive this treasure."
Wang Jingyu had a handsome appearance and asked about the prince. The prince patted his shoulder and said, "Anu, I regret that your talent is not worthy of your name!" He also said, "Jingyu is like you in everything."
Wang Changshi wrote to the Grand Marshal, "He knows where to go and is worthy of being a part of the conversation."
Zisi said: "After three days of mourning, the coffin should be buried. Everything attached to the body must be sincere and trustworthy, and there should be no regrets. After three months, the coffin should be buried. Everything attached to the coffin must be sincere and trustworthy, and there should be no regrets. Three years of mourning is the limit, and once a person dies, he will not forget it. Therefore, a gentleman has a lifetime of worries, but no worries of one day. Therefore, he does not rejoice on the anniversary of his death."
Xian Zi Suo said: "I heard that in ancient times, there was no decline, and the upper and lower classes each chose their relatives. Teng Bowen mourned for Menghu, his uncle; he mourned for Mengpi, his uncle." Hou Mu said: "Mourning, I heard from the county masters that mourning must be thought deeply and long, and the coffin should be changed inside and outside. I will do the same when I die." Zengzi said: "The corpse has not been decorated yet, so the hall is covered with curtains, and the burial is small and the curtains are clear." Zhongliangzi said: "The husband and wife are in chaos, so the hall is covered with curtains, and the burial is small and the curtains are clear." For the small burial, Ziyou said: "In the east." Zengzi said: "In the west, the mat is gathered." The small burial was in the west, which was a loss in the late Lu ritual. Xianzi said, "The mourning clothes and skirts are not ancient." Zi Pu died, and the weeping people cried out. Zi Gao said, "This is wild." The weeping people changed.
Man Fen is afraid of the wind. When Emperor Wu of Jin was sitting, there was a glazed screen in the north window, which looked dense but sparse, and he looked excited and embarrassed. The emperor laughed at him. Fen replied: "I am like a cow from Wu, panting when I see the moon."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
When Wei Xima was about to cross the river, he looked miserable and said to his attendants, "Seeing this vast expanse of land, I feel overwhelmed with emotions. If I still have feelings, who can stop me from feeling this way?"
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