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Sikong Gu He was having a conversation with the wise men of the time. Zhang Xuanzhi and Gu Fu, the grandson of the middle-aged man and the grandson of the great-grandson, both seven years old, were playing beside the bed. When he heard the words, his expression seemed to be irrelevant. Sleeping under the lamp, the two children narrated the host's words, without missing anything. Gu Gong crossed the table and lifted his ear, saying: "I never thought that a declining clan would revive this treasure."
The gentleman does not associate with the evil. The princes lose their land, and the name; the same surname is destroyed, and the name.
The woman next door to Mr. Ruan was very beautiful and she sold wine at the wine shop. Ruan and Wang Anfeng often drank with the woman. When Ruan was drunk, he slept beside the woman. I was suspicious at first, but after careful observation, I found that he had no other intention.
When Duke Huan of the Han Dynasty was on his northern expedition and passed through Jincheng, he saw the willows he had planted when he was in Langya, all of which were ten feet in circumference. He sighed and said, "If trees are like this, how can people bear it!" He climbed up the branches and held onto the twigs, tears streaming down his face.
Sun Hao asked Prime Minister Lu Kai, "How many people are there in your dynasty?" Lu Kai replied, "Two prime ministers, five marquises, and more than ten generals." Hao said, "How prosperous!" Lu Kai replied, "A country is prosperous when its ruler is wise and its ministers are loyal. A family is prosperous when its father is kind and its sons are filial. Today, the government is in chaos and the people are corrupt. We are afraid of the country's downfall. How dare I say it is prosperous!"
When Wang Zijing was seriously ill, the Taoist priest wrote a memorial to confess his faults and asked Zijing, "What are the similarities and differences, gains and losses?" Zijing said, "I don't think of anything else, but I remember divorcing the Xi family."
When the temple is completed, it is sacrificed. Its ritual: Zhu, clan members, Zai Fu, Yong people, all have titles and pure clothes. Yong people wipe the sheep, clan members look at it, and Zai Fu faces north to the south of the stele and goes up to the east. Yong people lift sheep, climb up the house from the middle, face south of the middle room, cut the sheep, blood flows in front, then go down. Chickens are used for the door and the side room. First the door and then the side room. Their scalps are all under the house. Cut the chicken, the door is facing the door, the side room is the middle room. The officials all stand facing the side room, and the officials at the door face north of the door. After the work, the clan members report that the work is done, and then they all leave. Return to the king and say, "The work of sacrificing to the temple is done." Return to the bedroom, the king faces south of the door and wears court clothes. After returning to the order, they leave. When the road to the bedroom is completed, it is examined but not sacrificing. Sacrificing the house is the way to communicate with the gods. All the utensils of the ancestral temple. If it is completed, it is sacrificing with pigs and pigs.
Xie Huer was a writer and once wrote the biography of Wang Kan. I don’t know what kind of person I am, so I ask Mr. Xie for advice. Xie Gong replied, "The descendants of the family were also treated well. Kan is the son of Lie, the aunt's brother of Ruan Qianli, and Pan Anren is a middle-class man. As Anren's poem says, 'Your son is close to your aunt, and my father is only my uncle.' He is Xu Yun's son-in-law."
During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.
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