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Yu Zigong was disabled and very well-known. His home was in the west of the city and was called the City West Mansion.
Gu Changkang is good at drawing human figures. He wanted to capture Yin Jingzhou, but Yin said, "I am ugly, so don't bother me." Gu said, "You are the eyes of the wise magistrate. Just point out the boy and use flying white brush to make it look like a light cloud covering the sun."
Xuanwu moved his town to Nanzhou and made the streets straight. Someone said to Wang Dongting: "When the Prime Minister first built Jiankang, he had no successor, and his arrangements were tortuous. This is inferior." Dongting said: "This is why the Prime Minister is clever. The land of Jiangzuo is small, not as good as that of China. If the roads were smooth, we could see everything at a glance. Therefore, the arrangements are tortuous and seem unpredictable."
Wang Dao and Wen Qiao both met Emperor Ming, and the emperor asked Wen how he had gained the empire in his previous life. Wen did not answer. After a while, the king said, "Wen Qiao is young and inexperienced, so I will explain it to Your Majesty." The king then narrated in detail how King Xuan started his career, executed the barbarians and famous tribes, and favored those who were like him. At the end of King Wen's reign, Gaogui was in charge of public affairs. When Emperor Ming heard this, he fell to the bed and said, "If what you said is true, how can my reign last long?"
The pawns were thrown, and the archer held the count and said, "Left and right pawns threw, please count." Two counts were pure, one pure was taken, and one count was odd. Then he said the odd count, "So-and-so is better than so-and-so by how many pure." If it was odd, it was called odd, and if it was even, it was called left and right even.
The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when
〔There are ten relationships in sacrifice〕Spreading the banquet and setting up the same table is to rely on the gods; calling the gods in the room and leaving the temple is the way to communicate with the gods. The ruler welcomes the sacrifice but not the corpse, which is to separate suspicion. If the corpse is outside the temple gate, it will be suspected by the minister, but if it is inside the temple, it will be safe for the ruler; if the ruler is outside the temple gate, it will be suspected by the ruler, but if it is inside the temple, it will be safe for the minister and the son. Therefore, those who do not leave the temple are clear about the righteousness between the ruler and the minister. In the way of sacrifice, the grandson serves the king's father's corpse. The one who serves the corpse is the son of the one who offers sacrifice; the father faces north to serve it, so as to clarify the way for the son to serve the father. This is the relationship between father and son. On the fifth day of the funeral, the king washes the jade cup and offers it to the nobles; on the seventh day of the funeral, the king offers the jade cup to the great officials; on the ninth day of the funeral, the king offers the scattered cup to the scholars and the officials, all in order of seniority. This is to clarify the order of superiority and inferiority.
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