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When Wei Jie was a child, he asked Le Ling about his "dream", and Le Ling replied, "It's just thinking." Wei said, "If you dream about something that is not connected between your body and your spirit, how can it be imagination?" Le said, "It is cause. I have never dreamed of riding a car into a rat hole, or pounding vegetables with an iron pestle. This is because there is no imagination and no cause." Wei thought about the "cause" for several days but could not find one, and thus he fell ill. I was pleased to hear it, so I ordered my driver to analyze it. Wei is slightly worse. Le sighed and said, "This child must not have any serious illness in his chest!"
"Confucians praise their relatives without avoiding relatives, and promote their relatives without avoiding enemies. They accumulate merits and deeds, promote the virtuous and promote them, and do not expect rewards. The king gets his will and does not seek wealth and honor as long as it benefits the country. They can promote the virtuous and support them like this.
Huan Xuan went west and entered Shitou. The outsider said, "Sima Liang Wang has fled and rebelled." Xuan had already made up his mind, and he played horns and drums on the carriage, and sang loudly, "The sound of flutes and pipes remains, where is Liang Wang?"
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
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