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The all-round master of perspective

Little Princess

Wang Youjun said to Liu Yin: "So we should all support Anshi." Liu Yin said: "If Anshi is determined to succeed in Dongshan, we should support him together with the whole world."

One Marriage, Two Loves

Ji Zhongsan was about to be executed in the East Market, but his expression remained unchanged. He asked for a zither and played Guangling San. At the end of the piece, he said, "Yuan Xiaoni once asked to learn this song, but I refused. Now Guangling San has been lost!" Three thousand students from the Imperial College wrote a letter to him, asking him to be their teacher, but he was not allowed. King Wen also regretted it.

Ru Xiaoguo's Ru Guo Life

In this month, the buds are protected, the young are raised, and the orphans are saved. Choose the New Year's Day and order the people to celebrate the community. Order the officials to inspect the prisons, remove the shackles, stop looting, and stop the lawsuits. In this month, the black bird arrives. On the day of its arrival, a large sacrifice is offered to Gaomei. The emperor goes there in person, and the empress and the nine concubines lead the chariot. Then they pay homage to the emperor's chariot, put a bow and shackle on it, and give it bows and arrows before Gaomei.

Young Guo's Fantasy World Cup

When Wang Fusi was still young, he went to see Pei Hui. Pei Hui asked him, "Nothingness is the source of all things, but sages are unwilling to talk about it. But Laozi keeps talking about it. Why is that?" Bi said, "Sages embody nothingness, and nothingness cannot be taught. So when they talk about something, they must also talk about something. Laozi and Zhuangzi were not immune to something, and they always taught about what was lacking."

Farmer's Child Bride: Picking up a Prince to Farm the Farm

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.