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When Emperor Yuan first crossed the river, he said to Gu Huqi: "I am living in a foreign country, and I always feel ashamed." Rong knelt and replied: "I heard that the king regards the world as his home, so Geng and Bo have no fixed place, and the Nine Cauldrons were moved to Luoyi. I hope Your Majesty will not think about moving the capital."

When Huan Xuan went to the capital, Yang Fu, who was then the deputy governor of Yanzhou, came from the capital to the gate with a letter saying, "Since I have been separated from the world, my heart is in turmoil. My wise sir should bring the morning light to the accumulated darkness and clear the hundreds of streams into one source." When Huan Xuan saw the letter, he hurriedly called him forward and said, "Zidao, Zidao, why are you so late?" He immediately made him a military officer in the record room. Meng Chang was Liu Laozhi's chief clerk. He went to the palace to express his gratitude and said, "Lord Yang, Lord Yang, our whole family depends on you!"

Luo Junzhang was once at someone's house, and the host asked him to talk with the guests. He replied, "We have known each other for a long time, so I don't need to bother you again."

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最新章节：花痴（2025-03-15）

更新时间：2025-03-15

I will turn my heart to the bright moon

Xi Shi Shuang

Yu Zhengxi launched a large-scale expedition against the Hu people. After the expedition was completed, he stopped at Xiangyang. Yin Yuzhang wrote a letter and gave him a folded-corner ruyi as a token of his appreciation. Yu replied in the letter: "I have obtained what I have obtained, even if it is a waste, I still want to make good use of it."

Ask Heaven for Another Five Thousand Years

Limeng

Shi Chong and Wang Kai competed with each other in luxury and both used exquisite items to decorate their carriages and clothes. Emperor Wu was Kai's nephew and always supported Kai. He once gave Kai a coral tree, about two feet tall. The branches and twigs are luxuriant and luxuriant, rarely seen in the world. Kai shows respect. After Chong had examined it, he struck it with his iron ruyi and it broke into pieces. Kai felt sorry for it, but also thought that it was his treasure, so his voice and expression were very harsh. Chong said, "Don't be sad. I will return them to you now." He ordered his attendants to fetch all the coral trees. There were six or seven of them, three or four feet tall, with branches and trunks that were unparalleled and dazzling. There were many like Kaixu. Kai was at a loss.

Lost in the South

Dongmen Guo

In the past, Huan Qian was compared to Yin Zhongwen. During the reign of Huan Xuan, Zhongwen entered the palace. Huan saw him from the courtyard and said to those sitting beside him, "We are the military commanders of our family. How can we be as good as this?"

The chaos of the wilderness

Gongyang Yongwei

When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.

The temptation of an empty nest

Guliang Yonggui

For all positions, except for the funeral of a relative, the age of mourning below all ascend the throne and cry and mourn until he has finished his work, but he removes his mourning clothes to the east, ascends the throne, exposes his hair to the east, dances, and wears mourning clothes, bows to the guests and returns to his seat, cries and dances, sends the guests back to his seat, and the attendant tells him to take his place. After three days and five cries, the host goes out to see the guests off; all the host's brothers go out, and the crying stops. The attendant tells him that the work is done. He wears mourning clothes and bows to the guests. If the host's family is far away, he wears mourning clothes and goes. For the age of mourning clothes, cry while looking at the hometown; for the great merit, cry while looking at the door; for the small merit, cry when reaching the door; for the mourning clothes, cry while ascending the throne. Cry for the father's party in the temple; for the mother's wife's party in the bedroom; for the teacher outside the temple gate; for the friend outside the bedroom gate; for the acquaintance in the wild, set up the curtain. In all cases of mourning, no offerings are made. Nine times for the emperor, seven times for the princes, five times for the ministers, and three times for the scholars. The ministers mourn for the princes, but dare not bow to the guests. The ministers in other countries cry for their positions, but dare not bow to the guests. Brothers with the princes also cry for their positions. All those who hold positions have their bare backs. Those who know each other mourn first at home and then at the tomb, and all of them dance for the funeral, facing north from the host and dancing. In all cases of mourning, the father is the main mourner when the father is still alive; after the father dies, the brothers live together and each of them mourns for his own. If the relatives are the same, the elder one is the main mourner; if they are not the same relatives, the closest one is the main mourner. When hearing about the funeral of a distant brother, the mourning period is over, and the mourning period is not heard, and the bare backs are not worn, and the left hand is preferred to bow to the guests. The only people who hold positions without mourning are sisters-in-law and uncles; and women who come down without mourning wear hemp. In all cases of mourning, if a minister arrives, he should bare his backs, bow to him, dance to him, and then kiss him; for scholars, kiss him and then bow to him.

The long immortal journey with you

Mincuihe

The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.

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