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When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.
Ruan Hun grew up with a style and temperament similar to his father, and he also wanted to be successful. The infantry said, "Zhongrong has already taken action, so you can't do it again."
When riding a chariot, go out with the blade first and go in with the blade behind. The army should be on the left and the soldiers should be on the right. The host should be respectful to guests, be respectful at sacrifices, be sad at funerals, and be happy at meetings. The army should be prepared for danger and hide their intentions.
When Tao Gong was young, he worked as a fish weir official and once offered fish crucibles to his mother as a reward. The mother sealed the fish and gave it to the envoy, and wrote back to rebuke Kan, saying: "You are an official, and you use official goods to pay the bills. Not only is it of no benefit, but it also adds to my worries."
When General Wang arrived at the scene, everyone thought that he had no chance to succeed. Bo Ren said: "The ruler is not like Yao or Shun, how can he be without faults? And how can a minister raise an army to attack the imperial court? Chu Zhonglang is stubborn and stubborn, where is Wang Pingzi?"
When a son serves his parents: if he advises them three times but they still don’t listen, he should cry and follow them. When the king is ill and takes medicine, the minister should taste it first. When a parent is ill and takes medicine, the son should taste it first.
People say that "Yu Wenkang is jade in a good year, and Zhigong is grain in a famine year." Yu Jia Lun says that Wen Kang called "Gong is the grain in a famine year, and Yu Changren is the jade in a good year."
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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