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The emperor offers sacrifices to heaven and earth, to the four directions, to mountains and rivers, and to the five sacrifices every year. The princes offer sacrifices to the four directions, to mountains and rivers, and to the five sacrifices every year. The officials offer sacrifices to the five sacrifices every year. The scholars offer sacrifices to their ancestors.
When the senior officials meet the king, the king shall bow to him. When the scholars meet the senior officials, the senior officials shall bow to him. When the same country meets for the first time, the host shall bow to him. The king shall not return the bow to the scholars; if they are not his subjects, they shall return the bow. The ministers, even if they are lowly, must return the greetings.
Zi Zhang died, Zengzi had his mother's death; he went to cry in the mourning at the age of 18. Someone said: "You can't mourn at the age of 18." Zengzi said: "Why should I mourn?" At the death of Youruo, Duke Dao went to mourn, and Ziyou went from the left. At the death of Qi Gu Wang Ji, Duke Zhuang of Lu made great contributions. Some said, "She was married by Lu, so she should wear the mourning clothes of a sister." Some said, "She is my grandmother, so she should wear the mourning clothes."
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
When Liu Yin went to meet Wang Changshi Xu Qingyan, Gou Zi was thirteen years old at that time, leaning against the bed and listening. After he left, he asked his father, "How is Liu Yin's speech compared to mine?" The chief secretary said, "His elegant voice and graceful words are not as good as mine; but he always defeats the enemy, and he is worse than me."
Someone asked Gu Changkang, "Why don't you compose the poem of Lo Sheng?" He replied, "Why don't you do the voice of an old maid?"
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