在线观看日韩

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《在线观看日韩》

Wang Da was an official in the Ministry of Personnel. He once made a draft of an essay. When he was about to submit it to the emperor, Wang Sengmi came and he showed it to him. Seng Mide then changed nearly half of the selections according to his own ideas. Wang Da thought they were very good and rewrote them immediately to present to the king.

All the wise men in the forest have talented sons. Ji Zihun has a broad mind. Kang Zishao is clear, elegant and upright. Tao Zijian, unobstructed and simple. Xian Zizhan, a wise man with far-reaching ambitions. I look forward to my younger brother Fu, who is cheerful and has left many things unseen. Xiuzi is pure, respectful, and kind, and she is also a clear and pure person. There are thousands of Rongzi, and they all have the potential to achieve great things, but their growth is not yet complete. Only Lingzi is unknown. Among all these scholars, only Zhan was the best, and Shao and Jian were also highly respected in the world.

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最新章节：拼一把（2025-03-21）

更新时间：2025-03-21

The difficult survival story of the female supporting role

Bei Jiyou

Xie Huer said to Yu Daoji: "Don't talk to me, just build a strong city wall." Yu said: "If Wendu comes, I will fight him with a small army; if Kangbo comes, I will cross the river and burn the boats."

Fortunately, I will spend the rest of my life with you

Shou Renzi

The Taoist priest sitting high up did not speak Chinese. When someone asked him what he meant by this, he replied in a simple way: "It is troublesome to answer in a simple way."

Thousand Years of Peach Blossom Tears

Tianzhuang

Taifu Xie said to Wang Youjun: "In middle age, I am hurt by sorrow and joy. When I say goodbye to my relatives and friends, I feel sick for several days." Wang said: "I am in my twilight years, so it is natural for me to be like this. I rely on music and calligraphy. I am always afraid that my children will notice it and ruin my joy."

The upgrade story of a top student

De Yimao

King Jiong of Qi was the Grand Marshal assisting in the administration, and Ji Shao was the Palace Attendant, who went to Jiong to consult on matters. Jiong set up a meeting of ministers and summoned Ge Yi, Dong Ai and others to discuss current affairs. Yi and others said to Jiong: "Minister Ji is good at playing stringed instruments. You can ask him to play it." So they sent the musical instruments. Shao Tui refused. Jiong said, "We are all happy today, why are you resisting?" Shao said, "You have assisted the royal family and made them do things in an exemplary manner. Although Shao is a low-ranking official, his duties are equivalent to those of an ordinary official. Playing silk and bamboo is the job of a musician. It cannot be dressed according to the rules of the previous kings, which is the occupation of the people of Wu. Now that I am forced to accept the emperor's order, I dare not refuse. I should put down my crown and wear private clothes. This is what Shao wants." Yu and others were dissatisfied and left.

This Life

Nara Chunyan

Xie Huer was a writer and once wrote the biography of Wang Kan. I don’t know what kind of person I am, so I ask Mr. Xie for advice. Xie Gong replied, "The descendants of the family were also treated well. Kan is the son of Lie, the aunt's brother of Ruan Qianli, and Pan Anren is a middle-class man. As Anren's poem says, 'Your son is close to your aunt, and my father is only my uncle.' He is Xu Yun's son-in-law."

I am a cave

Shouhen Han

When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

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