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The king’s parents and brothers, his uncle, his aunt, and his sister should be tabooed. The son should share the same taboo with his father. The mother’s taboo is taboo in the palace. The wife’s taboo is not mentioned by her side; if she has the same name as her aunt’s brother, she should be tabooed. For those who wear a cap in mourning, even if the mourning period is three years, it is OK. After the cap is worn in the second place, enter the palace to cry and dance, and do three times three times before leaving. For those who have the least merit, they can wear a cap on their sons and marry their sons. For the father, who has the least merit, they can wear a cap on their sons and marry their sons, and can marry their wives. Even if you have done a minor merit, you can wear a cap and marry a wife after you have finished crying; but for those who have done a minor merit, it is not allowed. All caps and mourning clothes should be worn with extravagant sleeves.
Zhao Wenzi and Shu Yu watched Jiuyuan. Wen Zi said, "If the dead can be revived, who should I go home with?" Shu Yu asked, "Is it Yang Chufu?" Wen Zi said, "He has been in Jin and has not lost his body. His knowledge is not worth mentioning." "Is it his uncle who committed the crime?" Wen Zi said, "He sees profit and does not care about his lord. His kindness is not worth mentioning. Should I follow Wu Zi? He benefits his lord without forgetting himself, and seeks his own life without abandoning his friends."
Sun Zijing took off her wife's mourning clothes and composed a poem to show Wang Wuzi. Wang said: "I don't know that literature is born from emotion and emotion is born from literature. Reading this makes me sad and increases the love between husband and wife."
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
Mao Bocheng was proud of his talent and often said: "I would rather be a broken orchid than a sagebrush."
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