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Someone asked Wang Yifu, "What do you think of Shan Juyuan's moral principles? Who is he?" Wang said, "He was unwilling to talk at first, but he did not read Laozi and Zhuangzi, but when I heard their poems, I often agreed with their ideas."
Yin Jingzhou had some knowledge and wrote a fu, which was similar to Shu Xi's slow play. Yin thought he was talented and said to Wang Gong, "I just saw a new article, it's very interesting." He then took it out of the handkerchief box. When the king read it, Yin couldn't help laughing. After the king had looked at it, he neither laughed nor expressed his likes or dislikes. He just pasted it with his wish. Yin felt lost.
The Master said: "Everyone says I know, but they are driven into the traps and snares, and no one knows how to avoid them. Everyone says I know, but they choose the moderate, but they cannot keep it for a month."
The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when
When General Wang arrived at the scene, everyone thought that he had no chance to succeed. Bo Ren said: "The ruler is not like Yao or Shun, how can he be without faults? And how can a minister raise an army to attack the imperial court? Chu Zhonglang is stubborn and stubborn, where is Wang Pingzi?"
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