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Zi Che Miaorui 410万字 188685人读过 连载

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The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.

In the last month of autumn, the sun is in Fang, the sun is in the sky at dusk, and the sun is in the willow at dawn. The days are Geng and Xin. The emperor is Shaohao, and the god is Rushou. The insect is Mao. The sound is Shang, and the scale is Wushe. The number is nine. The taste is spicy and the smell is fishy. The gate is worshipped with liver. Wild geese come as guests, and wine goes into the water and becomes clams. The chrysanthemum has yellow flowers, and the jackal sacrifices animals and kills birds. The emperor lives in the right side of the general chapter, rides on the military road, drives a white camel, carries a white flag, wears white clothes, and wears white jade. He eats hemp and dog, and his utensils are thin and deep.

A filial son must think about things in advance when he is about to offer sacrifices; he must prepare things in advance; he must be empty in order to manage them. After the palace is built, the walls and houses are built, and all the things are ready, the husband and wife take a bath together, wear the best clothes and flatter to offer the sacrifices. It is clear and orderly, as if he cannot overcome it or will lose it. Isn't this the deepest filial piety! The offerings and sacrifices are presented, the rituals and music are arranged, and the officials are prepared. Then they are presented with respect and respect. Then they are explained to the gods and spirits, so that they may be worshipped. "Maybe they may be worshipped" is the aspiration of the filial son. When the filial son offers sacrifice, he should be sincere and sincere, trustworthy and trustworthy, respectful and respectful, and ceremonial without going beyond the limit. He must be respectful when he advances and retreats, as if he were obeying orders from his parents, so that he may be ordered. The filial son's sacrifice is understandable. When he stands, he is respectful and humble, when he advances, he is respectful and happy, and when he offers, he is respectful and eager; when he retreats and stands, he is as if he is about to receive an order; when he has finished and retreats, he has a look of respect and courtesy on his face. When the filial son offers sacrifice, if he stands without bowing, he is stubborn; when he advances without happiness, he is distant; when he offers without desire, he does not love; when he retreats and stands, he is not as good as if he were ordered, he is arrogant; when he has finished and retreats, he has no look of respect and courtesy, and he has forgotten his origin. If he offers sacrifice in this way, he has failed. A filial son who has deep love must have a harmonious temperament; a harmonious temperament must have a happy expression; a happy expression must have a gentle expression. A filial son is like holding a jade, like offering a fullness, and is full of it, as if he cannot win, as if he is about to lose it. Sternness, dignity, and solemnity are not the way to serve one's parents, but the way to become an adult.




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