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The Master said: "Only the gentleman can love his righteousness, while the villain poisons his righteousness. Therefore, the friends of the gentleman have their own hometowns, and their dislikes have their own directions; therefore, those who are near are not confused, and those who are far away do not doubt. The Book of Songs says: "The gentleman likes enemies. '" The Master said: "If you lightly reject poverty and humbleness, and value wealth and honor, then your love for the virtuous will not be firm, and your dislike for the evil will not be clear. Even if people say it is not beneficial, I will not believe it. The Book of Songs says: "Friends have a place to control, and control with dignity. '" The Master said: "Private favors do not belong to virtue, and the gentleman does not keep them for himself. The Book of Songs says: "People love me, showing me how to walk around. ’”
The Master said: "The people take the king as their heart, and the king takes the people as their body; the heart is solemn, the body is relaxed, and the heart is solemn, the appearance is respectful. If the heart is good, the body will be at ease; if the king is good, the people will want it. The heart is complete with the body, but it is also hurt by the body; the king survives with the people, but it also perishes with the people. "The Book of Songs" says: "In the past, I had an ancestor who was upright, his words were clear and clear, the country was peaceful, the capital was built, and the people lived; who can lead the country to success, not being upright himself, and finally tiring the people. "Jun Ya" says: "In summer, the hot rain, the common people only complain; in winter, the common people also complain. '"
Huan Xuanwu and Xi Chao discussed the extermination of court officials. After the terms were finalized, they stayed together that night. The next morning, he got up and called Xie An and Wang Tanzhi in, and threw the memorial to them. Xi was still in the tent, Xie Du was speechless, and Wang threw it back, saying: Too much! Xuanwu took the pen to put it away, but Xi secretly talked to Xuanwu from inside the tent without realizing it. Xie Han smiled and said: "Xi Sheng can be said to be a guest in the curtain."
Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.
Grand Tutor Xie asked his sons and nephews, "Why do you want to make them good when you are involved in other people's affairs?" No one said anything. The charioteer answered, "It's like wanting orchids and jade trees to grow in the courtyard."
The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.
Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.
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