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This month, the emperor shall continue to grow taller and taller, without destroying anything, without starting earthworks, without mobilizing the masses, and without cutting down large trees. This month, the emperor begins to weave. He orders the wild hunters to go out to the fields to encourage the farmers and the people on behalf of the emperor, and not to miss the time. He orders the Minister of Works to tour the counties and villages, and order the farmers to work hard and not to rest in the capital.
When Yuan Yanbo was a minister of the Ministry of Personnel, Zijing wrote to Xi Jiabin: "Yanbo has come in, which is enough to revive my spirit. Therefore, I know that it is difficult for me to beat him, and I hope that he will be rejected a little and then he will be promoted again."
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
Central Earth. Its day is Wu Ji. Its emperor is Huangdi, and its god is Hou Tu. Its insect is naked, its tone is Gong, and its musical note is the palace of Huangzhong in the musical scale. Its number is five. Its taste is sweet, and its smell is fragrant. Its shrine is Zhongliu, and it is used to sacrifice to the ancestors. The emperor lives in the great temple and the great room, rides on the great road, drives a yellow horse, carries a yellow flag, wears a yellow robe, and wears yellow jade. He eats millet and cattle, and his utensils are round and wide.
Taifu Xie said to Wang Youjun: "In middle age, I am hurt by sorrow and joy. When I say goodbye to my relatives and friends, I feel sick for several days." Wang said: "I am in my twilight years, so it is natural for me to be like this. I rely on music and calligraphy. I am always afraid that my children will notice it and ruin my joy."
Wang Zhonglang used Go as a way to hide away from the world, and Zhi Gong used Go as a way to talk about martial arts.
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