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The emperor’s meal was nine shells; the princes had seven, the officials had five, and the scholars had three. The scholars were buried in the third month, and the mourning ended in that month; the officials were buried in the third month, and the mourning ended in the fifth month; the princes were buried in the fifth month, and the mourning ended in the seventh month. The scholars had three Yu, the officials had five, and the princes had seven. The princes sent people to offer condolences, and the next one was: the one who brought the coffin and the offerings and arrived, all finished the work on the same day, and the next one was like this. When a king is ill, he asks countless questions; a scholar asks only once. When a king is with a noble official, he does not eat meat at the funeral, and does not play music at the funeral; when a scholar is with a funeral, he does not play music. When the main coffin is carried, the princes hold the ropes of 500 people, four ropes, all of whom hold their mouths shut. The Sima holds the bell, eight on the left and eight on the right, and the carpenters hold feathered banners to support the coffin. When a senior official is buried, when the main coffin is carried, there are 300 people holding the lead, four on the left and four on the right, and the coffin is covered with thatch.
Zishang did not mourn when his mother died. His disciples asked Zisi, “Did your ancestors mourn their mothers?” He said, “Yes”. “Why did you not let Bai mourn?” Zisi said, “My ancestors did not lose the way; when the way was high, they followed the way; when the way was low, they followed the way. How could Ji do that? Those who marry Ji are Bai’s mother; those who do not marry Ji are not Bai’s mother.” Therefore, the Kong family did not mourn their mothers when their mothers died, starting with Zisi.
Xiahou Zhan finished writing the poem about Zhou and showed it to Pan Anren. Anren said: "This is not only gentle and elegant, but also shows the nature of filial piety and brotherhood." Pan then wrote the Feng poem.
When it is sent away, it is eager and anxious, as if it is chasing but cannot catch up; when it is returned, it is anxious and anxious, as if it is seeking but cannot get. Therefore, when they go to see him off, they seem to be longing for him, and when they return, they seem to be suspicious of him.
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