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Fu Qian was already well versed in the Spring and Autumn Annals and was about to write a note on it, wanting to refer to similarities and differences. He heard that Cui Lie had gathered his disciples to lecture on the Spring and Autumn Annals, so he hid his name and was hired out to Lie's disciples to work for a living. Whenever he was talking, he would eavesdrop on what was happening behind the door. Knowing that no one can surpass myself, I discuss my strengths and weaknesses with other students. Lie Wen was surprised and didn't know who he was, but he had heard of Qian's name and was suspicious of him. He went there early in the morning, and before he woke up, he called out, "Zi Shen! Zi Shen!" Qian was startled and responded, and they then became friends.
Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."
Wang Ziyou went to see Mr. Xie and asked, "What is a seven-character poem?" Ziyou answered, "It is as majestic as a colt that can run a thousand miles, and as light as a duck in the water."
The purpose of carrying out the law of the crown prince to Boqin was to make King Cheng know the way of father and son, monarch and minister, elder and younger. When King Cheng made mistakes, Boqin was beaten to show King Cheng the way of the crown prince. King Wen was the crown prince.
Fan Qi and Yan wrote a guest letter: "Zi Jing raises his body without any mercy, and his skin has no residual moisture." Yan replied: "There is no residual moisture in lifting the body, how can the body be not real?"
When a person dies, he should not be idle for three days, and he should not be relieved for three months. He should be sad for three years, and he should be worried for three years - this is the killing of grace. The sage uses killing to control moderation, and this is why mourning lasts for three years. The wise should not go beyond the limit, and the unworthy should not fail to reach the limit. This is the mean of mourning, and it is what the king always does. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is good; all kings should follow this ritual. Why is it good for him alone? It is said: Emperor Gaozong was Wu Ding; Wu Ding was a wise king of the Yin Dynasty. He succeeded the throne and was kind and good at mourning. At this time, the Yin Dynasty declined and revived, and rituals were abolished and revived, so he did it well. Because it was good, it was recorded in the book and praised, so he was called Emperor Gaozong. During the three-year mourning, the king did not speak. The Book of Documents says: "Emperor Gaozong was lenient and did not speak for three years." This is what it means. However, those who say "speaking without culture" refer to the ministers.
The Grand Tutor Sima said of the two kings: "Xiao Bo is tall and straight, while A Da Luo Luo is clear and unrestrained."
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