Yuchi Deyuan 136万字 323839人读过 连载
《Westbrook》
The sacrifices in the suburbs are special, and the sacrifices in the altars are large. When the emperor visits the princes, the princes use calves for meals; when the princes visit the emperor, the emperor gives them large sacrifices as a gift; this is the meaning of valuing sincerity. Therefore, the emperor does not eat pregnant animals, and does not use them in the sacrifice to the emperor. The main road has one tassel, the first road has three tassels, and the second road has five tassels. The blood in the suburbs, the fishy offerings, three offerings are roasted, and one offering is cooked; the most respectful offerings do not taste but value the smell. When the princes are guests, they use Yuchang. The offerings are used to smell. At the grand feast, the slender and the well-bred are valued. At the grand feast, the king sits on three layers of seats and offers vinegar. At the three offerings, the king sits on a single seat and offers vinegar. This is to lower the noble to the humble. There is music in the feasts and sacrifices, but there is no music in the tastings, which is the meaning of yin and yang. All drinks nourish the yang energy; all foods nourish the yin energy. Therefore, the spring sacrifices are held and the autumn tastings are held; in spring, the orphans are feasted, and in autumn, the elderly are fed.矣。 吟, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, 阳, Duke Huan of Qi started it. The performance of "Si Xia" by the ministers was started by Zhao Wenzi. The court audience is a private audience by the ministers, which is not a courtesy. The ministers hold the jade tablets and go on missions to show their trust; they dare not meet privately, so as to show respect; but they meet privately in the court, why do they do it in the court of the princes? As ministers, they have no foreign relations and dare not be two-minded. It is not a courtesy for the ministers to entertain the king. If the ministers force the king to kill them, it is righteousness; it was started by the Three Huans. The emperor has no guest etiquette, and no one dares to be the host. When the king meets his ministers, he ascends from the steps of the east and dares not have his room. In the audience ceremony, the emperor does not go down the hall to meet the princes. Going down the hall to meet the princes is a violation of etiquette by the emperor, starting from King Yi and below. In the palaces of the princes, they offer sacrifices with white peons, beat jade chimes, set red stems and tin, wear crowns and dance "Da Wu", and ride on the main road. This is the usurpation of etiquette by the princes. , embroidered fu, red and red inner garment, this is the usurpation of etiquette by the officials. Therefore, when the emperor is weak, the princes usurpation; when the officials are strong, the princes threaten. In this way, they honor each other by rank, meet each other with goods, bribe each other for profit, and the etiquette of the world is in chaos. The princes dare not worship the emperor, and the officials dare not worship the princes. And the public temple is set up in private homes, which is not etiquette, and it started with the Three Huans.
In this month, he orders the fishermen to start fishing, and the emperor goes there in person to taste the fish and first offer it to the temple. The ice is just beginning to gather, and the water in the marshes is hard. He orders to take the ice and bring it in. He orders the people to take out five kinds of food. He orders the farmers to plan their farming work, repair the plows and hoes, and prepare the farming tools. He orders the musicians to play together and then stop. He orders the four supervisors to collect firewood and firewood to share with the suburban temples and the hundreds of sacrifices.
When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.
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