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Zishang did not mourn when his mother died. His disciples asked Zisi, “Did your ancestors mourn their mothers?” He said, “Yes”. “Why did you not let Bai mourn?” Zisi said, “My ancestors did not lose the way; when the way was high, they followed the way; when the way was low, they followed the way. How could Ji do that? Those who marry Ji are Bai’s mother; those who do not marry Ji are not Bai’s mother.” Therefore, the Kong family did not mourn their mothers when their mothers died, starting with Zisi.
Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.
The one who is most benevolent has the most heavy mourning; therefore, for a father, he should wear mourning clothes for three years, which is a rule of benevolence. In the governance of the family, grace covers righteousness; in the governance of the family, righteousness cuts off grace. From serving the father to serving the king, and respecting the same, respecting the noble and respecting the elder, this is the greatest righteousness. Therefore, for a king, he should also wear mourning clothes for three years, which is a rule of righteousness.
Emperor Wu said to He Qiao, "I want to scold Wang Wuzi first, and then give him a title." Qiao said, "Wuzi is handsome and straightforward, I am afraid he cannot be subdued." The emperor then summoned Wuzi and scolded him severely, then asked, "Do you feel ashamed?" Wuzi said, "The rumor of 'a foot of cloth and a bucket of millet' has always been shameful to Your Majesty! Others can make people alienate relatives, but I cannot make people alienate relatives, so I feel ashamed of Your Majesty."
When Pang Shiyuan arrived in Wu, the people of Wu all became friends with him. When he saw Lu Ji, Gu Shao and Quan Cong, he compared them and said, "What Lu Zi said about a slow horse is that it has the advantage of being fast. What Gu Zi said about a slow ox is that it can carry heavy loads and travel far." Someone asked, "If what you said is true, is Lu the better one?" He replied, "Although a slow horse is agile and swift, it can only catch up to one person. A slow ox can travel a hundred miles in a day, but how can it catch up to one person?" The people of Wu did not object. "Quan Zi likes to have a good reputation, just like Fan Zizhao of Runan."
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