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After I traveled through the book, I became the tyrant's favorite

Zhang Tianxi was a powerful man in Liangzhou for generations. He went to the capital with his weak strength. Although he was a different species from others in a distant place, he was also a rebellious person among the border people. I heard that there are many talented people in the imperial capital, and I was full of admiration. He was still staying in Zhu, so Sima Zhuo went to visit him. His words and appearance are vulgar and worthless to listen to. Tian Xi's heart is filled with regrets, so he decided to go far away to protect himself. Wang Mi was known for his talent and was recommended to the emperor when he heard of him. When he arrived, Tian Xi saw that he had a clear and elegant demeanor, spoke fluently, and was well-versed in everything from ancient times to the present. He also knew the characters and clans, and there was evidence for all of them. Tian Xi was surprised and convinced.

Luanqing Palace: Ru Fei in Power

Wang Jing was poor when he was young, and later he rose to the position of 2,000 official officials. His mother said to him, "You were born in a poor family, and now you have risen to the position of 2,000 official officials. Is this enough?" Jing was of no use. He was the Secretary of State and helped Wei, but was disloyal to Jin and was captured. He wept and said goodbye to his mother, "I have not obeyed your command until today!" His mother showed no sadness at all, and said to him, "As a son, you should be filial, and as a minister, you should be loyal. You are filial and loyal, so how can you fail me?"

Westward Journey God

A filial son must think about things in advance when he is about to offer sacrifices; he must prepare things in advance; he must be empty in order to manage them. After the palace is built, the walls and houses are built, and all the things are ready, the husband and wife take a bath together, wear the best clothes and flatter to offer the sacrifices. It is clear and orderly, as if he cannot overcome it or will lose it. Isn't this the deepest filial piety! The offerings and sacrifices are presented, the rituals and music are arranged, and the officials are prepared. Then they are presented with respect and respect. Then they are explained to the gods and spirits, so that they may be worshipped. "Maybe they may be worshipped" is the aspiration of the filial son. When the filial son offers sacrifice, he should be sincere and sincere, trustworthy and trustworthy, respectful and respectful, and ceremonial without going beyond the limit. He must be respectful when he advances and retreats, as if he were obeying orders from his parents, so that he may be ordered. The filial son's sacrifice is understandable. When he stands, he is respectful and humble, when he advances, he is respectful and happy, and when he offers, he is respectful and eager; when he retreats and stands, he is as if he is about to receive an order; when he has finished and retreats, he has a look of respect and courtesy on his face. When the filial son offers sacrifice, if he stands without bowing, he is stubborn; when he advances without happiness, he is distant; when he offers without desire, he does not love; when he retreats and stands, he is not as good as if he were ordered, he is arrogant; when he has finished and retreats, he has no look of respect and courtesy, and he has forgotten his origin. If he offers sacrifice in this way, he has failed. A filial son who has deep love must have a harmonious temperament; a harmonious temperament must have a happy expression; a happy expression must have a gentle expression. A filial son is like holding a jade, like offering a fullness, and is full of it, as if he cannot win, as if he is about to lose it. Sternness, dignity, and solemnity are not the way to serve one's parents, but the way to become an adult.

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The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when