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I am a martial god on Earth

Yangshe Guichou

Emperor Ming asked Zhou Boren: "What is his true height like?" He replied: "I am a thousand-jin tall." The prince laughed at his words. Bo Ren said: "It is better to use a curled-horn ox, which is worse than a coiled ox."

Sorry to see you again

Sikou Zerui

When Emperor Wu was about to lecture on the Book of Filial Piety, Xie Gong and his brothers had the lecture in private with others. Che Wuzi was very reluctant to ask for thanks, so he said to Yuan Yang, "If I don't ask, my good reputation will be missed; if I ask too much, I will have to thank you twice." Yuan Yang said, "I don't think so." Che asked, "How do you know?" Yuan Yang said, "Have you ever seen a bright mirror get tired of reflecting too many times, or a clear stream get scared of a benevolent breeze?"

Rebirth: I am a Super Robot

Teng Cuiqin

In the first month of winter, the sun is at the tail, the sunset is at the middle of Wei, and the dawn is at the middle of the seven stars. The day is Ren and Gui. Its emperor is Zhuanxu, and its god is Xuanming. Its insect is shellfish. Its sound is feather, and the musical scale is Yingzhong. Its number is six. Its taste is salty, and its smell is rotten. Its ritual is to sacrifice to the kidney. Water begins to freeze, and the ground begins to freeze. Pheasants enter the water and become clams. The rainbow hides and cannot be seen. The emperor lives in the left side of the Xuan Hall, rides on the Xuan Road, drives the iron horse, carries the black flag, wears black clothes, wears black jade, eats millet and pigs, and his utensils are large and heavy.

This system is kind of cool.

Tong Jia Mi Man

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

The Monster in Douluo

Tong Jia Faxia

Si Tu Wang Rong was both noble and wealthy. He had houses and shepherds in the area, fertile fields and water mills, which were unparalleled in Luoyang. Qi Shuyang Zhang, often discuss strategies with his wife under candlelight.

I am a phoenix in the fire

Zu Nan Shuang

Yu Zhongchu finished writing the Yangdu Fu and presented it to Yu Liang. Liang, with the feeling of being a relative, greatly appreciated its reputation and said: "It is worthy of three or two capitals, and four or three metropolises." Everyone competed to copy it, and paper became expensive in the capital. Master Xie said: "No. This is like building a house under a house. If you try to learn everything, you will still be frugal and narrow."

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