高清电影我知女人心

Zhang Jianyujie 742万字 688457人读过连载

《高清电影我知女人心》

Zi Gan met Shi Yi and asked him, "I heard that each song has its own merits. What should I sing?" Shi Yi said, "I am a lowly worker, so why should I ask what is appropriate? Please recite what I heard, and I will stick to it: Those who are broad-minded and calm, gentle and upright should sing Song. Those who are broad-minded and calm, open-minded and trustworthy should sing Da Ya. Those who are respectful and frugal and like etiquette should sing Xiao Ya. Those who are upright and calm, honest and modest should sing Feng. Those who are unrestrained and kind should sing Shang; those who are gentle and decisive should sing Qi. Singing is to be upright and to show virtue. When you move yourself, the heaven and earth respond, the four seasons are harmonious, the stars are in order, and all things are nurtured. Therefore, Shang is the legacy of the Five Emperors. The business people know Qi is the sound left over from the Three Dynasties, and the people of Qi know it, so they call it Qi. Those who know the sound of Shang are often decisive in dealing with things, and those who know the sound of Qi are yielding when seeing benefits. Being often decisive in dealing with things is courage; yielding when seeing benefits is righteousness. Who can guarantee courage and righteousness except singing? Therefore, the singer is like a resistance above, a team below, a bend like a bend, a stop like a dead wood, a square in the middle, a hook in the sentence, and a string of pearls. Therefore, singing is a long speech. It is said because it pleases; it is not enough, so it is said for a long time; it is not enough because it is not enough, so it is sighed; sighing is not enough, so it does not know how to dance with hands and feet. "Zi Gong asked about music.

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Urban Emperor: The Road to Kingship

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The Strongest Raging Dragon God

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Return of the God of War

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Days in the entertainment industry

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Ou Shen's Lucky Daily Life

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My Sweet Wife

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When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

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