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Beauty's personal special forces

Longevity is called death, and premature death is called misfortune.

Provoking a black-bellied boyfriend

Burning wood in Taitan is a sacrifice to heaven; burying in Taizhe is a sacrifice to the earth; using a calf. Burying a young cattle in Taizhao is a sacrifice to the time; being close to the Kantan is a sacrifice to cold and heat. The royal palace is a sacrifice to the sun; the night light is a sacrifice to the moon; the Youzong is a sacrifice to the stars; the Yuzong is a sacrifice to floods and droughts; the four Kantans are sacrifices to the four seasons. Mountains, forests, rivers, valleys, hills, clouds that can become wind and rain, and monsters that can be seen are all called gods. Those who have the whole world offer sacrifices to all gods. The princes offer sacrifices to the gods in their own lands, but not if they lose their lands.

Farmers have a lot of things to do

Pei Linggong has a handsome appearance. He looks good without his crown or in rough clothes or with messy hair. People at that time thought she was a "jade woman". Those who saw it said: "Seeing Uncle Pei is like walking up a jade mountain, with light shining on people."

Financial Genius

Yayoi

During the reign of Emperor Wu of Jin, Xun Xu was the Director of the Secretariat and He Qiao was the Prime Minister. The story tells about the origin of the supervisor and the commander riding in the same car. Jiao was of a noble and upright character, and he always disdained flattery. Later, when the bus came, Qiao got on it and sat forward without waiting. Xu Fanggeng looked for a car and then he was able to leave. From then on, the supervisors and magistrates were each given a carriage.

Farmer Girl Live Room

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.