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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

The Master said: "The lower serves the upper, if the body is not upright and the words are not trustworthy, then the righteousness is not unified, and the actions are not of the same kind. "The Master said: "Words have things and actions have standards; therefore, when alive, the will cannot be taken away, and when dead, the name cannot be taken away. Therefore, a gentleman has much knowledge, and he keeps it; he has many ambitions, and he is close to them; he has profound knowledge, and he practices it briefly. "Jun Chen" says: "In and out, follow your teacher Yu, and all people have the same words. "The Book of Songs says: "The virtuous man and the gentleman, their manners are the same. '"




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