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Zhi Daolin often raised several horses. Someone said that the Taoists’ horses were not good at making music. Zhi said, “I value their divine steeds.”
Yin Zhongjun was deposed and moved to Dongyang, where he read Buddhist scriptures extensively and understood them thoroughly. Only I don’t understand the part about “matters and numbers”. I met a Taoist and asked him about his fortune, and I felt relieved.
Zi Zhang came to see me after he had removed his mourning clothes. He gave me a zither, and played it in harmony. He played it and made a sound. He stood up and said, "I dare not fail to follow the rites established by the ancient kings."
When Zhang Hua saw Chu Tao, he said to Lu Pingyuan: "Your brothers are like dragons leaping through the clouds, and Gu Yanxian is like a phoenix singing in the morning sun. I thought the treasures of the southeast were gone, but I didn't expect to see Chu Sheng again." Lu said: "You have never seen anyone who doesn't sing or leap!"
Shan Gong was highly regarded in the court and even when he was over seventy years old, he still knew how to manage the current affairs. Guisheng is young, like He, Pei, Wang and others, and they all talk and chant together. There is an inscription on the pillar of the pavilion: "To the east of the pavilion, there is a big ox, He Jiaoyang, Pei Kaiqiu, and Wang Ji are so angry that they can't rest." Some say: Pan Ni built it.
Fan Qi and Yan wrote a guest letter: "Zi Jing raises his body without any mercy, and his skin has no residual moisture." Yan replied: "There is no residual moisture in lifting the body, how can the body be not real?"
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
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