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When Wang Youjun saw Du Hongzhi, he sighed and said, "His face is as white as cream, his eyes are as white as lacquer. He is a man of gods and immortals." At that time, some people praised Wang Changshi for his appearance. Cai Gong said, "It's a pity that people haven't seen Du Hongzhi!"
The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when
Fu Gu is good at talking about empty victories, while Xun Can鈥檚 conversation is profound and far-reaching. Whenever they talked together, there were arguments and they could not understand each other. Pei Jizhou explained the meaning of the two families, understood the thoughts of both sides, and always made both sides feel satisfied and happy.
The prince respectfully said to Lord Xie: "You are so unrestrained." Xie said: "I am not unrestrained. Your teachings are the best for the body. When the body is right, it will be in harmony."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Those who follow others in mourning should not mourn until their parents are gone. Those who follow others should mourn even when their parents are dead. If a concubine leaves a female ruler, she should not mourn for the female ruler's son. According to etiquette, there is no sacrifice without the king. The crown prince does not lower his wife's parents; his wife is the same as the son of a senior official. If the father is a scholar and the son is the emperor or a prince, then sacrifices are made to the emperor or a prince, and his body is dressed in scholar's clothes. If the father is the emperor or a prince and the son is a scholar, sacrifices are made to the scholar, and his body is dressed in scholar's clothes. If a woman leaves the house when she is in mourning, she should be removed. If she leaves the house before mourning for her parents, she should be mourned for three years. If she leaves the house after mourning, it is over. If she returns without mourning, she should be mourned for a period of time; if she returns after mourning, she should be mourned for a period of time.
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