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The Movie Queen's Rebirth Manual

Tian Yan Mi Yu: Dog-type husband is too clingy

Pei Linggong looked at Xiahou Taichu: "He was solemn and awe-inspiring, like entering a temple. He did not practice respect but people showed respect to him." Yi said: "It was like entering an ancestral temple, where one could hear the sounds of ritual instruments. Seeing Zhong Shiji was like looking into an armory, where one could see spears and halberds. Seeing Fu Lanshuo was like looking at the Jiang Palace. Seeing a huge source on a mountain was like climbing a mountain and looking down, where it was deep and secluded."

The Eye of the Prime Minister

After He Huoqi died, he summoned Zhu Gong. When they arrived at Shitou, Wang Changshi and Liu Yin went to Zhu together. Zhu said, "What do you think of me, Zhen Chang?" Zhen Chang looked back at the king and said, "This boy is good at speaking." Zhu then looked at the king, who said, "The country has its own Duke Zhou."

Rebirth of a wealthy family: a powerful and all-round wife, handsome and stunning

The Master said: "Ritual is reason; music is moderation. A gentleman does not move without reason, and does not act without moderation. If he cannot read poetry, he is wrong in etiquette; if he cannot play music, he is simple in etiquette; if he is weak in virtue, he is empty in etiquette. "The Master said, "The system is in the rites, the culture is in the rites, and the practice is up to the people!" Zigong crossed the table and replied, "May I ask: Is Kui poor?" The Master said, "Ancient people? Ancient people. Those who are good at rites but not music are called simple; those who are good at music but not rites are called partial. Kui was good at music but not rites, so he passed down this name. He was an ancient person."

Immortality

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

Laigui Pavilion