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Yuchi Aiyong 191万字 10016人读过 连载

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The etiquette of mourning is that if one is thin and emaciated, one's appearance will not be affected, and one's sight and hearing will not be impaired. One should not ascend or descend by the steps on the east side, and one should not enter or leave through the tunnels. The etiquette of mourning is that if there is a wound on the head, one should wash it, if there is an ulcer on the body, one should bathe it, if one is sick, one should drink wine and eat meat, and when the illness stops, one should return to the original state. If one cannot bear the mourning, it is like being unkind and unfilial. At fifty, you will not be ruined; at sixty, you will not be ruined; at seventy, you will only wear mourning clothes, drink wine, eat meat, and stay at home. Life and the future, death and the past. Those who know life mourn, and those who know death are sad. Those who know life but not death mourn but are not sad; those who know death but not life are sad but not mourn. When mourning, you cannot give a gift, and do not ask how much it costs. When asking about illness, you cannot leave it, and do not ask what it wants. When meeting someone, you cannot stay at the house, and do not ask where it lives. Those who give gifts do not say "come and take". Those who give to others do not ask what they want. When visiting a grave, do not climb the ridge, and when helping with the burial, you must hold the rope. Do not smile at a funeral. When bowing to someone, you must go against your position. Do not sing when looking at the coffin. Do not fly when entering. Do not sigh when eating. When a neighbor dies, do not pound the mortar together. When there is a funeral in the village, do not sing in the alley. Do not sing when visiting a grave. Do not sing on the day of mourning. Do not take the shortcut when sending off a funeral, and do not avoid muddy roads when sending off a funeral. When facing a funeral, one must have a sad look, hold a rope and do not smile, and when facing music, one must not sigh; when wearing armor, one must have an expression of being untouchable.

When entering the dance, the king holds the dry and the halberd and takes the dance position. The king is on the east side, wearing a crown and holding the dry, and leads his ministers to enjoy the emperor's corpse. Therefore, when the emperor sacrifices, he enjoys it with the world; when the princes sacrifice, he enjoys it with the whole country. The emperor wore a crown and held the pillars of heaven, and led his ministers to entertain the emperor's corpse. This is the meaning of the inner music. There are three levels of sacrifice: among the offerings, nothing is more important than being naked, nothing is more important than singing, and nothing is more important than "Wu Su Ye". This is the way of Zhou. All three ways are used to borrow from the outside to increase the ambition of the gentleman, so they advance and retreat with the ambition; if the ambition is light, it is also light, and if the ambition is heavy, it is also heavy. If one's ambition is light and seeks external weight, even a sage cannot obtain it. Therefore, when a gentleman offers sacrifice, he must sacrifice himself, so as to make it clear that it is heavy. He should follow the etiquette, worship the three levels, and offer it to the emperor's corpse. This is the way of the sage. There is a 馂 in sacrifice; 馂 is the end of the sacrifice, which must be known. Therefore, the ancients said: "A good end is like the beginning." 馂 is just that. Therefore, the ancient gentlemen said: "The corpse is also the remnant of the ghosts and gods, and it is a benevolent method, which can be used to observe politics." Therefore, when the corpse is made, the king and the ministers are made to make it. When the king stands up, the senior officials are made to make it. The ministers are made to make it. The remnants of the king. The senior officials are made to make it. Eight scholars are made to make it. The lower officials are made to make it. The remnants of the nobles. The scholars are made to stand up, each holding their own utensils and go out, and they are laid out under the hall. The officials come in and clear them, and the lower officials are made to make it. The lower officials are made to make it. The way of making it is to change the number of people, so as to distinguish the noble and the humble, and to promote the image of benevolence. Therefore, four 簋黋 of millet are used to show that it is being cultivated in the temple. The temple is a symbol of the inner court. The sacrifice is the greatest benefit. Therefore, if there is a great benefit in the upper part, the benefit will surely reach the lower part, but the upper part will be the first and the lower part will be the last. It is not that the upper part is overburdened and the lower part is cold and hungry. Therefore, if there is a great marsh above, the people will wait for it below, knowing that the benefit will surely come, and they can see it from the taro. Therefore, it is said: "You can observe the politics."

After asking the mother of Yinman's father, he was buried together in Fang. When a neighbor dies, the pounding of rice does not meet; when a village dies, people do not sing in the alley. The mourner's cap is not tied.

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最新章节：抢饭碗的（2025-03-22）

更新时间：2025-03-22