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Jing Dingchou 557涓囧瓧 772733浜鸿杩 杩炶浇

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Huan's chariot was in Jingzhou, and Zhang Xuan was the attendant. They were sent to Jiangling. On the way, they passed by Yangqi village. Suddenly, they saw a man holding half a small basket of raw fish. He came directly to build a boat and said, "I have fish. I want to send them to make sashimi." Zhang then moored the boat and took the fish in. When asked his surname, he said he was Liu Yimin. When Zhang Su heard his name, he treated him with great pleasure. When Liu knew that Zhang had received the order, he asked, "Are Xie An and Wang Wendu both good?" Zhang wanted to talk very much, but Liu had no intention of stopping. After the sliced 鈥嬧嬧嬧媐ish was served, he left and said, "I caught this fish just now, and I saw that there should be sliced 鈥嬧嬧嬧媐ish dishes on your boat, so I came here." Then he left. Zhang then chased to Liu's house and set up a banquet for him, but he was not clear about the purpose. Zhang Gao was a man who had no choice but to drink it. As they were drinking together, Liu stood up first and said, "We are now cutting reeds and should not stay for long." Zhang had no way to keep him.

All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

Zi Gan met Shi Yi and asked him, "I heard that each song has its own merits. What should I sing?" Shi Yi said, "I am a lowly worker, so why should I ask what is appropriate? Please recite what I heard, and I will stick to it: Those who are broad-minded and calm, gentle and upright should sing Song. Those who are broad-minded and calm, open-minded and trustworthy should sing Da Ya. Those who are respectful and frugal and like etiquette should sing Xiao Ya. Those who are upright and calm, honest and modest should sing Feng. Those who are unrestrained and kind should sing Shang; those who are gentle and decisive should sing Qi. Singing is to be upright and to show virtue. When you move yourself, the heaven and earth respond, the four seasons are harmonious, the stars are in order, and all things are nurtured. Therefore, Shang is the legacy of the Five Emperors. The business people know Qi is the sound left over from the Three Dynasties, and the people of Qi know it, so they call it Qi. Those who know the sound of Shang are often decisive in dealing with things, and those who know the sound of Qi are yielding when seeing benefits. Being often decisive in dealing with things is courage; yielding when seeing benefits is righteousness. Who can guarantee courage and righteousness except singing? Therefore, the singer is like a resistance above, a team below, a bend like a bend, a stop like a dead wood, a square in the middle, a hook in the sentence, and a string of pearls. Therefore, singing is a long speech. It is said because it pleases; it is not enough, so it is said for a long time; it is not enough because it is not enough, so it is sighed; sighing is not enough, so it does not know how to dance with hands and feet. "Zi Gong asked about music.




鏈鏂扮珷鑺傦細鍏

鏇存柊鏃堕棿锛2025-03-23

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