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Wang Wuzi is good at understanding the nature of horses. I once rode a horse, with chopsticks and money stuck in the mud. There is water in front of him, but he refuses to cross it all day. Wang Yun said, "This must be a barrier caused by mud." He asked someone to remove it and then crossed over.
A senior official starts to work at the age of seventy. If he is not thanked, he must be given a stick and forced to do the work with women. Go to all directions, riding in a safe carriage. If one calls himself "old man", he will use his name when he is in his own country; if one is asked about something in another country, he will be sure to tell them the customs.
The son of a good blacksmith must learn to make fur coats; the son of a good archer must learn to make winnowing baskets; the beginner must do the opposite, with the chariot in front of the horse. A gentleman who observes these three things can be determined to study.
When the dukes met the emperor, they called themselves "minister so-and-so" and "hou so-and-so". When they talked with the people, they called themselves "guaren"; when they were in mourning clothes, they called themselves "shizigu". When they attended sacrifices, they called themselves "filial son so-and-so and hou so-and-so" in the inner court, and "great-grandson so-and-so and hou so-and-so" in the outer court. When they died, they called themselves "hong", and when they came back, they called themselves "so-and-so fu fu yi". When they met the emperor after the burial, it was called "lei jian". When they talked about posthumous titles, it was called "lei".
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Xi Chao dealt with Fu Yuan, and Yuan saw that his two sons had their hair tied together. Chao observed it for a long time and said to Yuan, "The younger one is more talented and famous, but the one who can protect your family will ultimately depend on your brother." These are Fu Liang's brothers.
From benevolence, leading relatives, and going up to the ancestors, it is called light. From righteousness, leading ancestors, and going down to the ancestors, it is called heavy. One is light and the other is heavy, and the meaning is so.
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