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Xie Cheqi asked Xie Gong: "If a person is really aloof, why is he so important?" He replied: "It is because he does not see it! Seeing Zi Jing still makes people unable to stop."
The body, offerings and food all have different levels, so as to distinguish the noble from the humble.
When Han Kangbo was a few years old, his family was extremely poor. During the severe cold weather, he could only afford a jacket. The mother, Lady Yin, made it herself and asked Kang Bo to hold the iron. She said to Kang Bo, "Put on the quilt and make the scarf again soon." The child said, "It is enough. There is no need to make the scarf again." The mother asked why. He replied, "There is fire in the iron and the handle is hot. Now that I'm wearing chopsticks and clothes, the bottom should also be warm, so there is no need for ears." His mother was very surprised and knew that it was a national instrument.
When Yin Zhongkan was appointed to Jingzhou, Wang Dongting asked him, "Virtue is known as keeping everything intact, and benevolence is known as not harming things. Now you are the governor of China, and you are in charge of killing people. Isn't this contrary to my principles?" Yin Zhongkan replied, "Gao Yao created the system of punishment and exile, and he was not unvirtuous; Confucius was the chief prosecutor, and he was not unkind."
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
Shan Gong was highly regarded in the court and even when he was over seventy years old, he still knew how to manage the current affairs. Guisheng is young, like He, Pei, Wang and others, and they all talk and chant together. There is an inscription on the pillar of the pavilion: "To the east of the pavilion, there is a big ox, He Jiaoyang, Pei Kaiqiu, and Wang Ji are so angry that they can't rest." Some say: Pan Ni built it.
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
Yu Zhonglang and Wang Pingzi flew in a flying geese formation.
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