七聊语音聊天室

Rangsi Hanlei 420万字 42823人读过连载

《七聊语音聊天室》

When Liu Yu and his brothers were young, they were hated by Wang Kai, who once summoned them to stay overnight, intending to get rid of them silently. He ordered them to bury him in a mortar, and after that he would be harmed. Shi Chong was on good terms with Yu and Kun. When he heard that they were staying with Kai, he knew that something might happen, so he went to Kai at night to ask where the two Lius were. Kai had no choice but to hide the truth, and answered, "I am sleeping in the back room." Shi then went straight in, led him out, and left in the same carriage. As the saying goes: "Young man, why do you so easily accept someone's accommodation?"

Xie Gong said: "Su Shao is the best among the Jin Gu." Shao is Shi Chong's brother-in-law, and Su Ze's grandson, also known as Yu's son.

For all positions, except for the funeral of a relative, the age of mourning below all ascend the throne and cry and mourn until he has finished his work, but he removes his mourning clothes to the east, ascends the throne, exposes his hair to the east, dances, and wears mourning clothes, bows to the guests and returns to his seat, cries and dances, sends the guests back to his seat, and the attendant tells him to take his place. After three days and five cries, the host goes out to see the guests off; all the host's brothers go out, and the crying stops. The attendant tells him that the work is done. He wears mourning clothes and bows to the guests. If the host's family is far away, he wears mourning clothes and goes. For the age of mourning clothes, cry while looking at the hometown; for the great merit, cry while looking at the door; for the small merit, cry when reaching the door; for the mourning clothes, cry while ascending the throne. Cry for the father's party in the temple; for the mother's wife's party in the bedroom; for the teacher outside the temple gate; for the friend outside the bedroom gate; for the acquaintance in the wild, set up the curtain. In all cases of mourning, no offerings are made. Nine times for the emperor, seven times for the princes, five times for the ministers, and three times for the scholars. The ministers mourn for the princes, but dare not bow to the guests. The ministers in other countries cry for their positions, but dare not bow to the guests. Brothers with the princes also cry for their positions. All those who hold positions have their bare backs. Those who know each other mourn first at home and then at the tomb, and all of them dance for the funeral, facing north from the host and dancing. In all cases of mourning, the father is the main mourner when the father is still alive; after the father dies, the brothers live together and each of them mourns for his own. If the relatives are the same, the elder one is the main mourner; if they are not the same relatives, the closest one is the main mourner. When hearing about the funeral of a distant brother, the mourning period is over, and the mourning period is not heard, and the bare backs are not worn, and the left hand is preferred to bow to the guests. The only people who hold positions without mourning are sisters-in-law and uncles; and women who come down without mourning wear hemp. In all cases of mourning, if a minister arrives, he should bare his backs, bow to him, dance to him, and then kiss him; for scholars, kiss him and then bow to him.

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Marriage is not satisfied

Zhongsun Hongrui

Xu Wensi went to meet Gu and Xu, but Gu was already sleeping in the tent. When Xu arrived, they went straight to the corner of the bed and talked together. Afterwards, he called Gu to go with him. Gu ordered his attendants to take the new clothes on the pillow and change them into the ones he was wearing. Xu smiled and said, "Do you have the clothes you brought with you?"

Carpenter Wang next door

Ding Wen Feng

Wang Pingzi, Hu Wuyanguo and others all regarded letting go as a sign of being generous, and some even went naked. Yue Guang laughed and said, "There is a place of happiness in the orthodox teachings. Why do you have to do this?"

Whose house does the foxtail grass fall into?

Jiyiwei

The etiquette of mourning is that if one is thin and emaciated, one's appearance will not be affected, and one's sight and hearing will not be impaired. One should not ascend or descend by the steps on the east side, and one should not enter or leave through the tunnels. The etiquette of mourning is that if there is a wound on the head, one should wash it, if there is an ulcer on the body, one should bathe it, if one is sick, one should drink wine and eat meat, and when the illness stops, one should return to the original state. If one cannot bear the mourning, it is like being unkind and unfilial. At fifty, you will not be ruined; at sixty, you will not be ruined; at seventy, you will only wear mourning clothes, drink wine, eat meat, and stay at home. Life and the future, death and the past. Those who know life mourn, and those who know death are sad. Those who know life but not death mourn but are not sad; those who know death but not life are sad but not mourn. When mourning, you cannot give a gift, and do not ask how much it costs. When asking about illness, you cannot leave it, and do not ask what it wants. When meeting someone, you cannot stay at the house, and do not ask where it lives. Those who give gifts do not say "come and take". Those who give to others do not ask what they want. When visiting a grave, do not climb the ridge, and when helping with the burial, you must hold the rope. Do not smile at a funeral. When bowing to someone, you must go against your position. Do not sing when looking at the coffin. Do not fly when entering. Do not sigh when eating. When a neighbor dies, do not pound the mortar together. When there is a funeral in the village, do not sing in the alley. Do not sing when visiting a grave. Do not sing on the day of mourning. Do not take the shortcut when sending off a funeral, and do not avoid muddy roads when sending off a funeral. When facing a funeral, one must have a sad look, hold a rope and do not smile, and when facing music, one must not sigh; when wearing armor, one must have an expression of being untouchable.

A string of empty thoughts cuts off the prime of life

Feimo Bingchen

Zhong Yu and Zhong Hui were well-known since they were young. When he was thirteen years old, Emperor Wen of Wei heard about it and said to his father Zhong Yao, "You can order the two sons to come." So he ordered an audience with him. Yu's face was sweating. The emperor asked, "Why is your face sweating?" Yu replied, "I am trembling with fear and sweating like pulp." The emperor asked Hui again, "Why are you not sweating?" Hui replied, "I am trembling with fear and sweating like pulp."

The King of Hollywood

Liangqiu Yiwei

Gu Shao once had a conversation with Pang Shiyuan, who asked, "I heard that you are famous for knowing people. Who is better, me or you?" He replied, "In terms of being influenced by the world and rising and falling with the times, I am not as good as you; but in discussing the remaining strategies of kingship and hegemony and viewing the key points of reliance, I seem to be one day better than you." Shao also felt at ease with his words.

Rebirth of the Proud Daughter of a Wealthy Family

Zhai Hongyang

All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

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