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When Wang Xun was ill, he asked Wang Wugang, "Who do people compare my army to?" Wugang replied, "People compare me to Wang Beizhonglang." Dongting turned around and lay facing the wall, sighing, "People cannot live forever!"
Tang, all have one virtue. ’ The Book of Songs says: ‘A virtuous man and a gentleman, his manners are not wrong. ’”
Wang Wuzi is good at understanding the nature of horses. I once rode a horse, with chopsticks and money stuck in the mud. There is water in front of him, but he refuses to cross it all day. Wang Yun said, "This must be a barrier caused by mud." He asked someone to remove it and then crossed over.
When Chen Yuanfang was eleven years old, he waited for Yuan Gong. Yuan Gong asked, "Your lord is a virtuous man in Taiqiu, and people far and near praise him. What do you do?" Yuan Fang said, "My old father is in Taiqiu. He comforts the strong with virtue and the weak with kindness. He lets them do whatever they want, and they become more respected over time." Yuan Gong said, "I used to be the magistrate of Ye, and I did just that. I wonder if your lord follows my example or if I follow your father?" Yuan Fang said, "Duke Zhou and Confucius were born in different eras, but they were the same everywhere. Duke Zhou did not learn from Confucius, and Confucius did not learn from Duke Zhou."
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
The Master said: "The way of a gentleman is to open up the streets and the people are what the streets lack. "If a great man is a censor, the people will still go beyond him. Therefore, a gentleman should use rites to censor virtue, punish punishments to censor extravagance, and command to censor desire.
Ziyun: "Rites are used to clarify doubts and distinguish subtle things, which are used to censor the people. "Therefore, the noble and the humble have different levels, clothes are different, and there are positions in the court, so the people will give way to each other. Confucius said: "There is no two suns in the sky, no two kings on earth, no two masters in the family, and no two superiors. This shows the people that there is a difference between the monarch and the minister." The Spring and Autumn Annals does not refer to the funeral of the king of Chu and Yue, the ritual king does not refer to the sky, and the officials do not refer to the monarch, fearing that the people will be confused. The Book of Songs says: "Why don't we meet each other in the morning? I am still worried about it." Confucius said: "The king does not ride in the same car with people of the same surname, and ride in the same car with people of different surnames but wear different clothes, showing that the people do not dislike it." In this way, the people can still kill their monarch with the same surname.
In mourning, one should only look at the deceased but not answer; in mourning of the same age, one should answer but not speak; in mourning of the great merit, one should speak but not discuss; in mourning of the minor merit, one should discuss but not enjoy music. This is the expression of grief in speech.
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