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When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
Someone asked Gu Changkang, "Why don't you compose the poem of Lo Sheng?" He replied, "Why don't you do the voice of an old maid?"
Yin Zhongjun asked: "People naturally have no intention of accepting the offer. Why are there so few righteous people and so many evil people?" No one said anything. Liu Yin replied, “It is like writing water on the ground. It flows freely in all directions without any square or round shape.” He was amazed at the moment and thought that his name was well-known.
Yu Zhongchu finished writing the Yangdu Fu and presented it to Yu Liang. Liang, with the feeling of being a relative, greatly appreciated its reputation and said: "It is worthy of three or two capitals, and four or three metropolises." Everyone competed to copy it, and paper became expensive in the capital. Master Xie said: "No. This is like building a house under a house. If you try to learn everything, you will still be frugal and narrow."
Emperor Ming of Wei asked his younger brother Mao Zeng to sit with Xiahou Xuan, and people at that time said it was "reeds leaning against jade trees."
Sacrificial rules: The Yu clan sacrificed to the Yellow Emperor and offered sacrifices to Ku in the suburbs, and their ancestors were Zhuanxu and Yao. The Xiahou clan also sacrificed to the Yellow Emperor and offered sacrifices to Gun in the suburbs, and their ancestors were Zhuanxu and Yu. The Yin people sacrificed to Ku and offered sacrifices to Ming in the suburbs, and their ancestors were Qi and Tang. The Zhou people sacrificed to Ku and offered sacrifices to Ji in the suburbs, and their ancestors were King Wen and King Wu.
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