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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

Yan Ding was good at mourning: when he died, he was anxious as if he wanted to find it but couldn't get it; when he was buried, he looked around as if he wanted to follow but couldn't reach it; after the burial, he sighed as if he couldn't reach it and stopped.

Gu Changkang painted Pei Shuze with three more hairs on his cheek. People asked why? Gu said: "Pei Kai is handsome and has insight, and this is his insight." Those who look at the painting will find it and will definitely feel that Yi Sanmao is like a god, and he is so extraordinary that he is still unsettled.




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鏇存柊鏃堕棿锛2025-03-22

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