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When Wang Zijing was a few years old, he watched his fellow students playing Chupu. When he saw that there was a winner and a loser, he said, "The south wind does not compete." His disciples looked down on the boy and said, "This boy is also like looking at the leopard through a tube, and can only see a spot from time to time." Zi Jing glared at him and said, "I am ashamed of Xun Fengqian in the distance and Liu Zhenchang in the near!" Then he brushed his clothes and left.

Kang Sengyuan had deep eyes and a high nose, and Prime Minister Wang always adjusted him. Monk Yuan said: "The nose is the mountain of the face, and the eyes are the abyss of the face. If the mountain is not high, it will not be spiritual; if the abyss is not deep, it will not be clear."

Zheng Xuan wanted to annotate the Spring and Autumn Annals, but had not yet finished it. On his way, he and Fu Zishen met each other and stayed in a guest house. They had not met before. Fu was in the carriage outside and told him about his annotations. Xuan listened for a long time and found most of the ideas he had. Xuan got on the carriage and said to Fu, "I have wanted to annotate it for a long time, but I haven't finished it yet. From what you said just now, I found that most of your comments are in line with mine. Now I will tell you all my comments." Then he annotated it for Fu.

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最新章节：峨嵋之行（八）（2025-03-16）

更新时间：2025-03-16

Reborn to Wealth

Cha Renwu

The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when

One billion sword draws

Ye Jiazhi

Ji Kang was seven feet and eight inches tall, with a very handsome appearance. Someone who saw it exclaimed, "It was solemn and clear, refreshing and clear." Someone else said, "It was solemn and clear, like the wind under a pine tree, high and slow." Shan Gong said, "Ji Shuye was a man who was as independent as a solitary pine tree; when he was drunk, he was like a jade mountain about to collapse."

Journey to the West: The Big Boss Behind the Scenes

Diao Junmao

General Yu looked at Zhonglang Yu and said: "I came from home and talked with him."

Peerless King

Liu Yichou

, the Xiahou clan valued rank and seniority, the Yin people valued wealth and seniority, and the Zhou people valued relatives and seniority. The Yu, Xia, Yin and Zhou dynasties were the most prosperous kings in the world, and there was no one who neglected his age. Age is the most important thing in the world; it is second only to serving one’s parents. Therefore, when the court has the same rank, seniority is valued. When a man is seventy, he cane him in the court, and when the king asks him, he sits down. When a man is eighty, he does not wait for the court, but when the king asks him, he goes to the court. When walking, he does not walk side by side, but follows him if he is not wrong. When seeing an old man, the cart drivers will make way for him; the gray-haired man does not walk on the road by his position, but the younger brother can reach the road. In the countryside, seniority is used, and the old and the poor are not left behind, the strong do not bully the weak, and the majority do not oppress the minority, and the younger brother can reach the alleys of the state. In the ancient way, people at the age of fifty were not forced to work in the fields, and they were given gifts to honor the elders, and the younger brother could be used to hunt. In the army, seniority is valued for the same rank, and the younger brother can reach the army. Filial piety and brotherhood are spread throughout the court, on the roads, in the alleys of the prefectures, in the hunting grounds, and in the army. The people die for the sake of righteousness, and dare not violate it.

Urban Evil Son-in-law

Zhang Liao Chunhai

In the funeral of parents, one lives in a hut and does not lay on the ground, sleeps on straw and pillows, and does not talk about anything other than funeral matters. The king builds a hut for the deceased, and the officials and scholars cover it. After the burial, the pillars and lintels are covered, and the hut is not for the prominent. The king, the officials, and the scholars all have their corpses. For those who are not the proper sons, a hut is built for the secluded from before the burial. After the burial, stand with people: the king talks about the king's affairs, not the affairs of the state; the great officials and scholars talk about the public affairs, not the affairs of the family. After the king is buried, the king's government returns to the country, and after the mourning is over, they will wear the king's affairs; after the great officials and scholars are buried, the public government returns to the family, and after the mourning is over, they will wear the hat and the belt, and there will be no avoidance of the affairs of the armor. After the mourning, live in the whitewashed room, do not live with others. The king discusses the affairs of the state, and the great officials and scholars discuss the affairs of the family. After the auspicious, the whitewashed. When the auspicious is good, there will be no crying outside; when the mourning is over, there will be no crying inside, because the music has been played. After the mourning, follow the emperor, and after the auspicious sacrifice, go back to bed.

Longing turns into a short song

Fu Cha Si Qing

The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.

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