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Kong Pushe was the attendant of Emperor Xiaowu, and was invited to visit Emperor Liezong's tomb in advance. Kong was the Minister of Rites at the time. He was thin and frail, and wore heavy mourning clothes. He cried all day long, and those who saw him thought he was a truly filial son.
The emperor does not look above the robe or below the belt; the king looks calmly; the minister looks evenly; the scholar looks five steps. Generally speaking, if it looks above the face, it is arrogant; if it looks below the belt, it is worried; if it tilts, it is treacherous.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
When a person dies, the body is moved to the bed, the quilt is used to cover the body, and the death clothes are removed. The junior officials use a horn scoop to wed the teeth and a swallow table to sew the feet. The king, the senior official, and the scholar are the same.
Men and women do not know each other without a matchmaker; they do not interact or get close to each other without money. Therefore, the sun and the moon are used to inform the king, and all warnings are used to inform the ghosts and gods. Wine and food are prepared to invite neighbors and colleagues to show their respect.
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