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The text says: "Liu Yinming Ke has real truth."

The teacher's writing brush, zither and harp are in front of you. You sit down and move them, being careful not to cross them. Sit back when you have finished emptying your mind, and sit before you have finished eating. Sit down and be at peace, hold your face. If the elder is not up to standard, do not speak nonsense. Correct your appearance and listen respectfully. Do not suppress opinions and do not copy others. It must be the ancient times, called the former kings. Sitting in the presence of the teacher: the teacher asks me questions, and I answer them in the end. If you ask for work, you will get up. If you ask for advice, you will get up. When my father called me, I did not respond. When my teacher called me, I did not respond. So I just stood up. Sit in front of the one you respect most, and do not sit at any other table. I can't stand seeing the same. When the candles are lit, when the food is served, when the guests come, they stand up. The candle is not visible. Don't scold a dog in front of distinguished guests. Let food be eaten without spitting.

When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

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最新章节：操心的师父……（2025-03-22）

更新时间：2025-03-22

The Nine Dragons

Sikou Jingjing

Someone asked: "What is the cane for?" The answer is: a filial son who has lost his parents cries countless times, serves for three years, and becomes sick and thin, so he uses a cane to support the sick. If the father is still alive, he dare not use a cane, because the respected person is still alive; he does not use a cane in the hall, because he avoids the respected person's place; he does not rush in the hall, because he is not in a hurry. This is the will of a filial son, the reality of human nature, and the principle of etiquette and righteousness. It does not come from heaven or earth, but is just human nature.

The immortal's junior brother is as beautiful as a flower

Qi Pu Cun

The ritual vessels are therefore fully prepared. Full preparation means great virtue. The rituals are released and the quality is enhanced; they are placed correctly and carried out. In people, it is like the bamboo arrows with bamboo shoots; like the pine and cypress with heart. The two are the great points of the world. Therefore, they penetrate the four seasons without changing branches or leaves. Therefore, if a gentleman has rituals, he will be harmonious outside and have no resentment inside, so all things will be kind and the ghosts and gods will appreciate virtue. The ancient kings established rituals with roots and texts. Loyalty and trust are the roots of rituals; righteousness and reason are the texts of rituals. Without roots, there is no rightness; without texts, there is no practice. Rituals are in accordance with the time of the sky, set on the wealth of the land, in accordance with the ghosts and gods, in accordance with the human heart, and govern all things. Therefore, the time of the sky has life, the geography has suitability, the human organs have ability, and the things are curved and beneficial. Therefore, if Heaven does not produce and Earth does not nourish, the superior man will not make it a ritual, and the ghosts and gods will not be satisfied. If one lives in the mountains and treats fish and turtles as a ritual, and lives in the marshes and treats deer and pigs as a ritual, the superior man will say that he does not know the ritual. Therefore, it is necessary to raise the number of the state and make it the great principle of ritual and the great ethics of ritual. The width and narrowness of the land, the thickness of the ritual, and the ups and downs of the year. Therefore, even if there is a big killing in the year, the people will not be afraid. Then the superiors’ rituals are moderate. In ritual, time is the most important, followed by compliance, form, appropriateness, and praise. Yao passed the throne to Shun, Shun passed the throne to Yu; Tang exiled Jie, and King Wu defeated Zhou. It was time. The Book of Songs says: "Don't change it, just follow the filial piety." The sacrifices to heaven and earth, the affairs of the ancestral temple, the way of father and son, and the righteousness of the monarch and the minister are ethics. The affairs of the altar, mountains and rivers, and the sacrifices to ghosts and gods are the form. The use of funeral sacrifices and the relationship between guests are righteousness. When offering lambs and pigs as sacrifices, all officials are satisfied; when offering large sacrifices, there is no need to have more than enough. This is called "proportion". The princes regard tortoise shells as treasures and jade sceptres as auspicious. If a family does not treasure tortoise shells, store jade sceptres, or build gates, it means that it has "proportion". In rituals, there are those that value more: the emperor has seven temples, the princes have five, the officials have three, and the scholars have one. The emperor has twenty-six bowls, the dukes have sixteen, the princes have twelve, the senior officials have eight, and the junior officials have six. The princes have seven boxes and seven sacrifices, and the officials have five boxes and five sacrifices. The emperor has five layers of mats, the princes have three layers, and the officials have two layers. When the emperor dies, he is buried in the seventh month, with five layers and eight bamboos; the princes are buried in the fifth month, with three layers and six bamboos; the officials are buried in the third month, with two layers and four bamboos. This is that more is more. Some people value less: the emperor has no chariot; special sacrifices are used for offering sacrifices to heaven; when the emperor visits the princes, the princes use calves for meals; when the princes meet, they use yuchang (cooked rice wine) instead of lan (small bowls and rice bowls); the betrothal gifts for the officials are dried meat and salted meat; the emperor eats once, the princes twice, the officials and scholars three times, and the food is countless; the main roads have one tassel, the secondary roads have seven tassels; the jade scepter is special, the amber jade huang is special, and the ghost and god sacrifice is single. The princes attend the court, the officials are special, and the scholars are on a journey. This is what is valued for less. Some people value greater: the size of the palace, the size of the utensils, the thickness of the coffin, and the size of the mounds and fiefs. This is what is valued for greater. Some people value smaller: in the sacrifices to the ancestral temple, the noble offer jue, the humble offer san, the respected raise zhi, the humble raise jiao; the five offerings are dau, the outside of the door is gu, the inside of the door is hu, and the emperor's dau is wa yan. This is what is valued for smaller. Some people value height: the hall of the emperor is nine feet, that of the princes is seven feet, that of the great officials is five feet, and that of the scholars is three feet; the gates of the emperor and the princes are five feet. This is the value of height. Some people value lower things: the most respectful do not use the altar, but sweep the floor before offering sacrifices. The emperor and the princes do not use the taboos, while the great officials and scholars use the taboos. This is the value of lower things. Some people value ornaments: the emperor wears a dragon robe, the princes wear a red robe, the great officials wear a red robe, and the scholars wear black clothes and purple skirts; the emperor's crown has twelve tassels of red and green algae, the princes have nine, the senior officials have seven, the junior officials have five, and the scholars have three. This is the value of ornaments. Some people value plainness: the most respectful do not have ornaments, the father's party has no appearance, the great jade is not polished, the great soup is not harmonious, the great road is plain and the seats are crossed, the sacrificial vessels are covered with sparse cloth, and the ladle is made of cypress. This is the value of plainness. Confucius said: "Rituals must be reviewed." If the rituals are different, there will be no extravagance or killing. This is what I mean. It is a matter of praise. The reason why rituals value quantity is because of their external heart; virtue is promoted, all things are praised, and the great principles of things are broad. In this way, how can we not value quantity? Therefore, the gentleman is happy to be promoted. The reason why rituals value smallness is because of their internal heart. The production of virtue is subtle, and there is nothing that can be called virtue when observing the things of the emperor. In this way, how can we not value smallness? Therefore, the gentleman is cautious when he is alone. The ancient sages respected the inner and enjoyed the outer, and the few were precious and the many were beautiful. Therefore, the gentleman’s rituals should not be too much or too little, but only be called. Therefore, when a gentleman offers a large sacrifice, it is called a ritual; when a commoner offers a large sacrifice, it is called a robbery. Guan Zhong carved a red-rimmed gui and a mountain-sectioned algae-shaped gui, which the gentleman thought was excessive. Yan Pingzhong offered sacrifices to his ancestors, but did not cover the pig’s shoulder with a bean curd; he washed his clothes and washed his hat before going to court, which the gentleman thought was narrow. Therefore, the gentleman must be careful in performing the rituals; the crowd's discipline is broken and the crowd is in chaos. Confucius said: "If I fight, I will win; if I sacrifice, I will receive blessings." This is the way. The gentleman said: Sacrifice without prayer, without early waving, without music and grandeur, without good things, the sacrifice is not fat, and the offering is not beautiful and rich.

Crazy Tai Sui

Gong Tianfeng

Fu Hong rebelled to return to the country.

elder sister

Xiahou Meixia

The "Book of Rites" says: "Be respectful in every way, be solemn as if thinking, and speak calmly." It brings peace to the people!

Time Travel: Farm Life is a Little Sweet

Bing Cui Mei

Zheng Xuan wanted to annotate the Spring and Autumn Annals, but had not yet finished it. On his way, he and Fu Zishen met each other and stayed in a guest house. They had not met before. Fu was in the carriage outside and told him about his annotations. Xuan listened for a long time and found most of the ideas he had. Xuan got on the carriage and said to Fu, "I have wanted to annotate it for a long time, but I haven't finished it yet. From what you said just now, I found that most of your comments are in line with mine. Now I will tell you all my comments." Then he annotated it for Fu.

Deep Palace Mistake

Nangong Shubo

When Dai Andao was over ten years old, he painted in Wuguang Temple. When Wang Changshi saw him, he said, "This boy is not only good at painting, but will eventually become famous. I regret that I am old and will not see his prime!"

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