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When Zhuge Daoming first crossed the Jiangzuo River, he named himself Daoming, which was second only to Wang and Yu. He was first the magistrate of Linyi, and the prime minister said to him, "Your Excellency should be the black-headed official."
Gan Bao recounted his "Soushen Ji" to Liu Zhen at length, and Liu said, "You can be called the Dong Hu of ghosts."
The great officials of various countries, when entering the emperor's country, call themselves the so-and-so scholar; they call themselves the accompanying minister so-and-so. They call themselves the son outside, and the old man of the widowed monarch in their own country. The envoy calls himself so-and-so. The emperor does not speak out, and the princes do not give names.
When Wang Jingren was thirteen years old, he wrote On the Wise. The chief secretary sent it to Zhenchang, who replied, "Seeing Jingren's essay, I can understand the subtle meaning of it."
During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.
The king creates music when his achievements are accomplished, and establishes rituals when his governance is established. Those who have great achievements have complete music, and those who have a good governance have complete rituals. The dance of Ganqi is not complete music, and those who are prosperous and worship are not complete rituals. The Five Emperors lived in different times, and did not follow each other's music; the Three Kings lived in different times, and did not follow each other's rituals. When music is excessive, it leads to worry, and when rituals are rough, they become biased. And when
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