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Sima Huan was ill. Xie Gong went to visit his sick father and entered through the east gate. Duke Huan looked at him from a distance and sighed, "It has been a long time since I have seen such a man among my followers!"

The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.

Sun Yizuo Lixian Shang Qiu Zizan said: "What kind of thing is shepherding? It's almost not a real pig. When I encounter the wind and clouds, I am a dragon." Many people at that time thought that they could.

标签：干护士姐姐、为什么我家的梦三国好慢、韩国美幼

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最新章节：无形打脸（2025-03-18）

更新时间：2025-03-18

My life is missing you

Pin Le Dong

Sun Sheng was a military officer in the record room of Yu Gong. He went hunting and took his two sons with him. Yu Gong didn't know this, and suddenly he saw Qi Zhuang in the hunting ground. He was about seven or eight years old. Yu said, "Are you coming again?" He answered immediately, "As the saying goes, 'No matter how small or big, I will follow you.'"

Lust

Zu Tianlan

Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.

Fall in love with a heart-breaking grass

Zhong Liran

Emperor Ming of Jin wanted to build a pond and terrace, but Emperor Yuan did not allow it. When he was the emperor, he was the crown prince and liked to keep warriors. The pond was dug in one night and completed before dawn. This is the Prince’s West Pond today.

Qingquan Sword God

Jiao Xueqing

The wife of Duke Cheng of Pei, the daughter of Wang Rong. Wang Rong went to Pei Xu in the morning, but there was no way forward. Pei went down from the bed to the south, and the woman went down from the bed to the north, and they sat opposite each other as host and guest, with no strange expressions on their faces.

Billions of cute babies: The dark male god, what one!

Murong Huanhuan

Ziyun: "When a villain is poor, he is prudent; when rich, he is arrogant; when prudent, he steals; when arrogant, he is disorderly." Rites are rules and regulations based on human nature, which are used to censor the people. Therefore, the sages set rules for wealth and nobility so that the rich will not be arrogant, the poor will not be prudent, and the noble will not be dissatisfied with the superiors, so disorder will be eliminated. Ziyun: "If the poor love music, the rich love rites, and the people are peaceful, the world will be almost there. The Book of Songs says: 'People are greedy and disorderly, and would rather be poisoned. '" Therefore, it is stipulated that the country should not exceed a thousand chariots, the capital should not exceed a hundred chariots, and the family should not be rich. With this rule, the princes still rebel.

Phoenix

Qi Diao Yunbo

When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."

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