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When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
The host does not personally accept it. When receiving, he stands up, and when giving, he does not sit down. There are those who are upright in nature. When entering and saying goodbye, he says: "I say goodbye". When sitting, he says: "It's OK". There is only one person who puts up his shoes and puts on his shoes in the house. If there is an elder present, it is not OK. When asking about taste, he says: "Do you eat so and so?" When asking about the art of Taoism, he says: "Are you accustomed to so and so?" "Are you good at so and so?" Do not doubt yourself, do not measure the tools of the people, do not be reluctant to the big family, and do not criticize the heavy tools. Sweeping is called sweeping, and sweeping in front of the mat is called fighting; the mat is not to be beaten with a mane. Hold the dustpan and hold the hair. Do not ask twice. When asking about divination, he says: "Is it righteousness? Is it will?" If it is righteous, you can ask, but if it is will, you can't.
During the reign of Emperor Wu of Jin, Xun Xu was the Director of the Secretariat and He Qiao was the Prime Minister. The story tells about the origin of the supervisor and the commander riding in the same car. Jiao was of a noble and upright character, and he always disdained flattery. Later, when the bus came, Qiao got on it and sat forward without waiting. Xu Fanggeng looked for a car and then he was able to leave. From then on, the supervisors and magistrates were each given a carriage.
Yu Zhengxi launched a large-scale expedition against the Hu people. After the expedition was completed, he stopped at Xiangyang. Yin Yuzhang wrote a letter and gave him a folded-corner ruyi as a token of his appreciation. Yu replied in the letter: "I have obtained what I have obtained, even if it is a waste, I still want to make good use of it."
When Kang Sengyuan first crossed the river, no one knew him, so he kept going around the markets begging for money to support himself. Suddenly he went to Yinyuan's Xu, where there were guests. Yin asked him to sit down and chatted with him, and then talked about morality. I have never been ashamed of my words and expressions. Get a rough idea and go to visit. From this I know it.
Wang Yifu compared Wang Donghai to Yue Ling, so Wang Zhonglang wrote on his stele: "At that time, he was the model for Yue Guang."
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