Meng Congyun 506涓囧瓧 39726浜鸿杩 杩炶浇
銆娕访兰で橐磺咔迨悠点
In the Taimiao, there is respect! The king personally leads the sacrifice, and the officials praise and follow. The king personally makes sacrifices, and the lady offers the bowl. The king personally cuts the sacrifice, and the lady offers wine. The ministers and the great officials follow the lord, and the women of the court follow the wives. They are respectful and loyal, and they are eager to receive the feast. The offering of animals is reported in the courtyard, the blood and hair are reported in the room, and the soup is reported in the hall. The three reports are not in the same position, which is probably because they have sought but not obtained them. The sacrifice is set up in the hall, and the sacrifice is made outside, so it is said: "Is it there? Is it here?" One is to offer a pledge, three is to offer a text, five is to offer a review, and seven is to offer a god. The feast is for the king! The three animals, fish and meat are the delicacies of the four seas and nine states; the offerings of the dishes are the harmony of the four seasons. The gold inside is to show harmony. The bundle of silk and the jade disk are to honor virtue. The tortoise is in the front, which is to predict the future. The gold is next, which is to show affection. The red lacquer, silk, bamboo and arrows are to share the wealth with the people. The rest are not regular goods, and each country has what it has, so it is to bring distant things. When it goes out, it is sent in the summer, which is probably a heavy ceremony. Sacrificing to the emperor in the suburbs is the utmost respect. The sacrifice in the ancestral temple is the highest level of benevolence. The funeral is the highest level of loyalty. The preparation of clothing and utensils is the highest level of benevolence. The use of money by guests is the highest level of righteousness. Therefore, if a gentleman wants to observe the way of benevolence and righteousness, etiquette is the root.
When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.
When holding the main utensils, one should hold them lightly as if he cannot hold them. When holding the main utensils, such as coins, jade tablets, and jade discs, one should use the left hand, and walk without lifting the foot, and the wheels of the wheels should drag the heels. When standing, the chime should be broken and the pendant should be dangling. If the master's pendant is leaning, the minister's pendant should be dangling. If the master's pendant is dangling, the minister's pendant should be dangling. When holding jade, those with a pendant should wear a sling; those without a pendant should wear a sling.
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