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Gongyang Sen 42涓囧瓧 979236浜鸿杩 杩炶浇

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When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

When Sun Chuo first wrote Fu Suichu, he built a house by the ditches and rivers, and said that he saw the point of stopping only when he was satisfied. There is a pine tree planted in front of the room, why do I need to dam it myself? Gao Shiyuan was also a neighbor at the time. He said to Sun: "The pine tree is indeed lovely, but it will never be of any use as a pillar of support." Sun said: "Even if the maple and willow trees can be hugged, what good are they?"




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鏇存柊鏃堕棿锛2025-03-19

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