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The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.

A filial son must think about things in advance when he is about to offer sacrifices; he must prepare things in advance; he must be empty in order to manage them. After the palace is built, the walls and houses are built, and all the things are ready, the husband and wife take a bath together, wear the best clothes and flatter to offer the sacrifices. It is clear and orderly, as if he cannot overcome it or will lose it. Isn't this the deepest filial piety! The offerings and sacrifices are presented, the rituals and music are arranged, and the officials are prepared. Then they are presented with respect and respect. Then they are explained to the gods and spirits, so that they may be worshipped. "Maybe they may be worshipped" is the aspiration of the filial son. When the filial son offers sacrifice, he should be sincere and sincere, trustworthy and trustworthy, respectful and respectful, and ceremonial without going beyond the limit. He must be respectful when he advances and retreats, as if he were obeying orders from his parents, so that he may be ordered. The filial son's sacrifice is understandable. When he stands, he is respectful and humble, when he advances, he is respectful and happy, and when he offers, he is respectful and eager; when he retreats and stands, he is as if he is about to receive an order; when he has finished and retreats, he has a look of respect and courtesy on his face. When the filial son offers sacrifice, if he stands without bowing, he is stubborn; when he advances without happiness, he is distant; when he offers without desire, he does not love; when he retreats and stands, he is not as good as if he were ordered, he is arrogant; when he has finished and retreats, he has no look of respect and courtesy, and he has forgotten his origin. If he offers sacrifice in this way, he has failed. A filial son who has deep love must have a harmonious temperament; a harmonious temperament must have a happy expression; a happy expression must have a gentle expression. A filial son is like holding a jade, like offering a fullness, and is full of it, as if he cannot win, as if he is about to lose it. Sternness, dignity, and solemnity are not the way to serve one's parents, but the way to become an adult.

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Someone asked: "Why do those who don't wear a cap wear it?" The answer is: It is what those who don't wear a cap wear. The Book of Rites says: "A boy does not wear mourning clothes, but only wears mourning clothes in the house." "Wearing clothes" means to be exempted, and in the house, he is exempted and caned.

Night Maze

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Xu Yun's wife was the daughter of Ruan Weiwei. She was as virtuous as her sister but extremely ugly. After the formalities were exchanged, Yun refused to continue his talk, and his family members were deeply worried. When a guest arrived in Huiyun, the wife asked her maid to check him out, and she replied, "It's Huan Lang." Huan Lang is Huan Fan. The woman said, "Don't worry, Huan will persuade you to come in." Huan indeed said to Xu, "Since the Ruan family married their ugly daughter to you, they must be interested in you. You should observe it." Xu then went back inside. As soon as he saw the woman, he wanted to leave. The woman realized that after he left, there was no way he would come back, so she grabbed his skirt and stopped him. "Xu Yin said, "A woman has four virtues. How many of them do you have? "The woman said, "The only thing a new bride lacks is your appearance. However, a scholar has a hundred virtues, how many do you have? "Xu Yun: "All are ready." "The woman said: "Virtue is the most important of all virtues. You like lust but not virtue. How can you say you have everything?" "Yun felt ashamed and began to respect him.

Changsheng

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When Jianwen entered Hualin Garden, he looked around and said to those around him, "The place where you can feel your heart does not have to be far away. The shady trees and waters remind me of Hao and Pu. I feel that the birds, beasts, and fish have come to me as my friends."

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Lady Wang Jiangzhou said to Xie E, "Why don't you make any progress? It's because you are so preoccupied with worldly affairs that your talent is limited."

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