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In the sixth year of Yongjia, Wei Xima died. Xie Kun cried for him, which moved passers-by. During the Xianhe period, the Prime Minister Wang Gong advised: "Wei Xima should be reburied. He was a famous and elegant man, admired by the whole country. We can offer a small sacrifice to maintain the old friendship."
When Jianwen was Fujun, he once went to the court with Huan Xuanwu, and they took turns to let each other sit in front. Xuanwu had no choice but to go ahead, so he said: "Bo also holds the spear and drives ahead for the king." Jianwen said: "It is said that 'no matter how small or big, follow the king in his march'."
Whenever Huan Ziye heard a beautiful song, he would always cry out, "What can I do?" When Xie Gong heard this, he said, "Ziye is truly a man of deep affection."
Gu Changkang’s painting of Xie Youyu on the rocks is wonderful. People asked why? Gu said, "Xie Yun said, 'One hill and one valley, I think I am beyond them.' This boy should be placed in a hill or valley."
The Master said: "Ritual is reason; music is moderation. A gentleman does not move without reason, and does not act without moderation. If he cannot read poetry, he is wrong in etiquette; if he cannot play music, he is simple in etiquette; if he is weak in virtue, he is empty in etiquette. "The Master said, "The system is in the rites, the culture is in the rites, and the practice is up to the people!" Zigong crossed the table and replied, "May I ask: Is Kui poor?" The Master said, "Ancient people? Ancient people. Those who are good at rites but not music are called simple; those who are good at music but not rites are called partial. Kui was good at music but not rites, so he passed down this name. He was an ancient person."
Arrogance cannot be allowed to grow excessive, desires cannot be followed, ambitions cannot be satisfied, and happiness cannot be taken to the extreme.
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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