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A gentleman returns to the ancient times and never forgets where he was born. Therefore, he shows respect, expresses affection, and works hard to repay his parents, and dares not fail to do his best. Therefore, in the past, the emperor cultivated a thousand acres, wore a crown with red ribbons, and personally held a plow. The princes cultivated a hundred acres, wore a crown with blue ribbons, and personally held a plow to worship the heaven and earth, mountains and rivers, the altar, and the ancients, and made a rich variety of wine and cheese, and took them there, which was the highest respect.
A gentleman knows the reasons why teaching is flourishing and the reasons why teaching is abolished, and then he can be a teacher. Therefore, the gentleman's teaching is to guide but not to force, to force but not to suppress, and to open but not to reach. If you follow the way but don't force it, you will be harmonious; if you are strong but don't suppress it, you will be easy; if you open but don't reach it, you will think; harmony and ease with thinking can be called good metaphor.
During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.
Xie Wan wrote an essay on the Eight Sages, which was a counter-argument to Sun Xinggong's, and the difference was slightly better. After thanking her, she showed it to Gu Junqi, who said, "I also made it, and I know you don't want to name it."
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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