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Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.

Zheng Xuan wanted to annotate the Spring and Autumn Annals, but had not yet finished it. On his way, he and Fu Zishen met each other and stayed in a guest house. They had not met before. Fu was in the carriage outside and told him about his annotations. Xuan listened for a long time and found most of the ideas he had. Xuan got on the carriage and said to Fu, "I have wanted to annotate it for a long time, but I haven't finished it yet. From what you said just now, I found that most of your comments are in line with mine. Now I will tell you all my comments." Then he annotated it for Fu.

During the Zhengshi period, people compared and debated, and ranked the Five Xuns against the Five Chens: Xun Shu was against Chen Shi, Xun Jing was against Chen Chen, Xun Shuang was against Chen Ji, Xun Yu was against Chen Qun, and Xun Xi was against Chen Tai. There are also eight Peis and eight kings: Pei Hui is the counterpart of Wang Xiang, Pei Kai is the counterpart of Wang Yi Fu, Pei Kang is the counterpart of Wang Sui, Pei Chuo is the counterpart of Wang Cheng, Pei Zan is the counterpart of Wang Dun, Pei Xia is the counterpart of Wang Dao, Pei Wei is the counterpart of Wang Rong, and Pei Miao is the counterpart of Wang Xuan.




最新章节:雷击木现(三更完毕)

更新时间:2025-03-23

最新章节列表
完全不信
其实我是演员
祭坛
天道玉
心虚
我就是那个看守
意外之外的竞争对手
最难消受美人恩
这是陷阱
全部章节目录
第1章 一场恶仗
第2章 左右夹击
第3章 援手纷至
第4章 精灵世界的变化
第5章 二哥反杀
第6章 名声在外
第7章 我岘港征召(加更3)
第8章 老辈和小辈
第9章 跳楼逃生
第10章 来抓我呀
第11章 抄仙王家(五更完)
第12章 乾坤棍法
第13章 要突破了
第14章 杀招
第15章 全灭
第16章 有什么问题,来我鲲鹏宫说
第17章 轻松吊打,做选择题
第18章 九九幻灵天杀阵!
第19章 一条大鱼
第20章 红叶之题
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